Rosie Park
About
Rosie Park is an architectural designer interested in various forms of inclusive spatial practise. Her work centre’s around architecture’s capacity to serve communities.
Rosie graduated from Manchester School of Architecture in 2020, where she received the ‘Steacy Greenaway Prize’ for most outstanding studio work.
During the first year of her masters, Rosie proposed the design for Lewisham Youth Theatre. For this project she was awarded the Technical Studies prize at RCA.
Rosie has a strong interest in public engagement. She co-founded a not-for-profit arts collective in 2018, which hosted nine different large-scale events within the city, with the desire to create equitable and inclusive spaces for amateur artists to perform, make or sell work.
Statement
Can we Can
What would a restructured food policy look like if it was centred around conviviality?
The project is interested in the large-scale potential of pressure canning, as a means to combat the commodification of food and eating practises in Britain.
There is a real urgency to re-engineer our food system. As it stands, supermarkets, the main source of the nation’s food supply, have complete monopoly over the prices, conditions and types of food we eat. This is coupled with a government that has abdicated responsibility in providing affordable food or a national food strategy. This has resulted in leaving a huge proportion of people to experience food insecurity.
In addition, supermarkets are governed by ‘just in time, just enough’ economics, meaning there is only ever a few days’ worth of food supply on the shelves. We have become dependent on an incredibly fragile and energy intensive system.
This project therefore explores how pressure canning, a typically domesticated food preservation technique, could be a means of re-engineering our food system.
A Convivial Canning System
The project has culminated with the design of a deployable system, where the four stages of canning are broken down into a series of four stations that are connected by a manually operated conveyor belt. This retractable system allows for ease of transportation across each different site where surplus food would otherwise be wasted.
Each station is dedicated to one part of the process, which are: washing, chopping, cooking and canning. Each station was designed to convivially exaggerate each gesture, to encourage members of the public to partake in each stage. These drawings represent how this system can translate across three different sites within South London.
Pressure Canning Workshop
Research Drawings
Medium: Hand drawings
Research Footage
I made the tin can apron as an entry point to discussing misinformation and misconceptions surrounding food, such as the misconception that fresh vegetables are more nutritious than tinned. Canned vegetables provide an affordable and accessible source of nutrition, and Jack Monroe, who was named the tin can cook, explains that as a single mother canned food enabled her to feed her and her son on a £10 weekly budget. The tin can apron is intentionally a restrictive object to wear, to demonstrate the limitation of cooking with only canned food.
Alongside the issue of affordability, there are significant barriers people face when it comes to accessing heathy nutritious foods. Areas that are not served by a large food retailer are called food deserts and are typically an issue for people from lower-income backgrounds, who have low levels of car ownership and poorer public transport services. One example of an existing food desert in London is Southampton Way estate, which is a half an hour walk from the nearest large supermarket retailer. To demonstrate the real lack of provision of healthy affordable food, I walked the distance from the supermarket to Southampton way estate and this is the drone footage.