Marjian Tsatsaros Tyagi

To Be Here With You embraced practices of ritualistic and material processes to create a space of shared knowledge, gentle hospitality and open collectivity. Consisting of five free public workshops each led by an artist, the project sought to embrace connection and gathering for the individual participant and the collective to the natural world around us.

Saturday 22nd April - Gathering with Gail Dickerson

Sunday 23rd April -  Activating with Rie Nakajima

Saturday 29th April -  Infinitely with Alice May

Sunday 30th April - Tenderly with Rudzani Moleya and Yewande 103

Friday 5th May - Greening with Hannah Lees and May Hands

In partnership with Southwark Park Galleries the project was designed to complement Florence Peakes Factual Actual: Ensamble, reflected in our interests in presence, materiality, and non-hierarchical collaboration. The workshops responded to the site specificity of Southwark Park Galleries by all including a responsive walk through Southwark Park. Followed by a unique guided activity in Southwark Park Galleries’ Salter Space, the workshops ranged from mapmaking, sound-crafting, muraling, dance and sigil making. Each artist was invited to cultivate or respond to an interpretation of ritual, from the sacred of our everyday routines, ancient mythologies, earthly knowledges or pagan beliefs. Ritual as a connecting thread opened a space for individual and communal participatory practices, it implies a sense of intimacy and meaningfulness as well as material activation. The project explored dynamic spaces of learning, crafting and shared thinking referencing discourses around polyphony.

Each workshop aimed to open a pathway for audiences to appreciate the spaces we all inhabit, to rediscover the spiritual aspects of nature and to draw attention to the intimate. For me, the heart of this project has been to create an inclusive, diverse, and accessible learning space for participants. Relating to our groups interest in ideas of living-archives we sought to create ephemeral memory traces by forefronting the participant experience in the workshop format.

Additionally we hoped to create an invitational space for Southwark Park Galleries existing audience which is especially diverse, potentially including park goer’s as well as arts world. All the workshops were open to the public, aiming to be inclusive to casual participants as well as those who had a specific interest in each session’s topic. Attendees also had the choice to re-visit multiple workshops as an additional act of ritual and gathering.

To Be Here With You curated by students from the Royal College of Art MA Curating contemporary Art as a part of 2023 Graduate Projects in Partnership with Southwark Galleries.  To Be Here With You was created in collaboration with Alice May, Gail Dickerson, Hannah Lee, May Hands, Rie Nakajima, Rudzani Moleya and Yewande 103.

I am interested in interdisciplinary and embodied practices of advocacy and inclusion by exploring ways of bridging the audiences individual experiences to the constructed design of the exhibition. Through performative, expressive, and sensorial activities to create engagement and connection within arts spaces. My practice plays with ideas of participation, materiality, hospitality and intimacy for audiences, as well as practitioners, to embrace neurodiversity, embodied experience and identity. 

This year I have also been exploring myth, fantasy and fiction as tools to examine or re-imagine our understanding of the world and ourselves within it. Thinking through phenomenological perception and design my work has aimed to adopt empathetic and accessible modes of curating. Weaving together the metaphor of Myth for curatorial practice which engages storytelling, immersion and gathering.

A myth can live in a moment and across time as they are both individually interpretable and societally relatable. The stories we tell through exhibitions create a cyclical impression onto culture, reshaping public and internal knowledge. The fantastical as the ability to incite imagination and the poetic as a tool of communing, understanding and discourse. To imagine alternative worlds, times, beings and systems transports audiences into works and discourses via transcendent, mystical and immersive play with the potential to undermine orthodox, hegemonic and colonial exclusionary systems. 

I am currently exploring breadmaking and writing as a metaphor and activating practice into the intimate while foregrounding ecological, cultural and political discourses. Crafting the invisible and quiet stories, the emotional and intuitive knowledges created by the interaction of space, materials, ingredients and person.

Born and based in London but of mixed heritage of Canadian, Indian, Greek and Scottish, my practice often draws from my own experiences of identity, heritage, neurodiversity and art practice.