Jessica Birch

About

Jessica Birch is a second year MA Architecture student at the Royal College of Art. Having previously graduated from Manchester School of Art with first class honours in BArch Architecture, she developed her professional and personal spatial practice whilst working as a Part I Architectural Assistant at Bennetts Associates in London.

Her first-year project in ADS3, Refuse Trespassing Our Bodies — Fertility, Exhaustion and All that Matter/s led by spatial duo Cooking Sections, explored the post-industrial legacy of arsenic and its toxic effects in Devon.  

After receiving a distinction for her dissertation ‘The Gentrification of Brick Lane: Craft Beer & Trauma’, which explored the history of migrant communities in Brick Lane as well as the ongoing issue of urbanisation vs gentrification, her focus in her final year was researching diasporic communities and the impact of place-markers in the urban realm.

Her final design project, Reimagined Ritual, seeks to explore the history of past migrant and diasporic communities in East London, focusing on the area of Brick Lane. Her project deals with understanding how traditions and rituals of both past and present communities in Brick Lane can form and mark a space for groups as a form of resilience and protest against ongoing and imminent gentrification and displacement. 


Statement

Reimagined Rituals investigates how past rituals and traditions of communities can be utilised to inform a contemporary and convivial space which challenges present issues of redevelopment in Brick Lane.

“The nomad’s space - ‘his place’ - is not tied to a specific location. Thus the notion of place had to be divorced from a fixed geographical definition, and became a portable entity” – Eyal Weizman

Addressing the above statement of permanence and portability, Reimagined Ritual explores the significance of placemaking, boundaries and physical markers of diasporic and migrant communities who have settled in London. As space gets reimagined, rebuilt, and regenerated over the years, physical spaces and personal items are sometimes less tangible, so traditions and rituals become even more important in retaining the spirit of the past communities and families that used to be and are still in the area.

Addressing the question of, ‘how can communities come together to celebrate the culture and traditions of the past whilst fighting to save the history of Brick Lane?’ atypical boundaries and typologies of the diasporic and nomadic ‘home’ are explored.  Understanding how the diasporic notion of home has been abstracted and distorted as generations have undergone multiple migrations, this project investigates how past rituals and traditions of communities (The Huguenots, Jewish and Bengali) can link the space back to its history in an appreciative and convivial manner. The proposed intervention aims to give agency back to the existing community through the act of protest, taking inspiration from past and present community’s anarchist movements rituals and traditions. A series of portable structures, both acting as and enabling new forms of community placemaking through protest, enables meeting, tea drinking, discussions and textile making, for the use of the anti-gentrification movements on Brick Lane and East London to re-engage with the wider community and local authorities whilst marking a claim to the space.  


THE KOSHER BUTCHER

PLACE-MAKING

ABSTRACTING RITUAL & SPACE

REBELLION IN THE EAST END

RE-PLACEMAKING WITH TEXTILES

RECLAIMING BRICK LANE