
Jessica Birch

About
Jessica Birch is a second year MA Architecture student at the Royal College of Art. Having previously graduated from Manchester School of Art with first class honours in BArch Architecture, she developed her professional and personal spatial practice whilst working as a Part I Architectural Assistant at Bennetts Associates in London.
Her first-year project in ADS3, Refuse Trespassing Our Bodies — Fertility, Exhaustion and All that Matter/s led by spatial duo Cooking Sections, explored the post-industrial legacy of arsenic and its toxic effects in Devon.
After receiving a distinction for her dissertation ‘The Gentrification of Brick Lane: Craft Beer & Trauma’, which explored the history of migrant communities in Brick Lane as well as the ongoing issue of urbanisation vs gentrification, her focus in her final year was researching diasporic communities and the impact of place-markers in the urban realm.
Her final design project, Reimagined Ritual, seeks to explore the history of past migrant and diasporic communities in East London, focusing on the area of Brick Lane. Her project deals with understanding how traditions and rituals of both past and present communities in Brick Lane can form and mark a space for groups as a form of resilience and protest against ongoing and imminent gentrification and displacement.
Statement

Reimagined Rituals investigates how past rituals and traditions of communities can be utilised to inform a contemporary and convivial space which challenges present issues of redevelopment in Brick Lane.
“The nomad’s space - ‘his place’ - is not tied to a specific location. Thus the notion of place had to be divorced from a fixed geographical definition, and became a portable entity” – Eyal Weizman
Addressing the above statement of permanence and portability, Reimagined Ritual explores the significance of placemaking, boundaries and physical markers of diasporic and migrant communities who have settled in London. As space gets reimagined, rebuilt, and regenerated over the years, physical spaces and personal items are sometimes less tangible, so traditions and rituals become even more important in retaining the spirit of the past communities and families that used to be and are still in the area.
Addressing the question of, ‘how can communities come together to celebrate the culture and traditions of the past whilst fighting to save the history of Brick Lane?’ atypical boundaries and typologies of the diasporic and nomadic ‘home’ are explored. Understanding how the diasporic notion of home has been abstracted and distorted as generations have undergone multiple migrations, this project investigates how past rituals and traditions of communities (The Huguenots, Jewish and Bengali) can link the space back to its history in an appreciative and convivial manner. The proposed intervention aims to give agency back to the existing community through the act of protest, taking inspiration from past and present community’s anarchist movements rituals and traditions. A series of portable structures, both acting as and enabling new forms of community placemaking through protest, enables meeting, tea drinking, discussions and textile making, for the use of the anti-gentrification movements on Brick Lane and East London to re-engage with the wider community and local authorities whilst marking a claim to the space.
THE KOSHER BUTCHER
PLACE-MAKING
ABSTRACTING RITUAL & SPACE
REBELLION IN THE EAST END
A New Wave of Protest in the East End
My site is the Truman brewery redevelopment plot on woodseer street which is planning to become a shopping centre and office space which will remove existing small businesses and take away footfall from the curry houses as well as raise rents even more.
The Save the Brick Lane foundation have been one of the groups fighting this redevelopment, and its made up of groups like the Spitalfields and Banglatown Forum and Nijjor Mannush who have a strong following but at times have more online presence than physical.
My proposed intervention would give agency back to the community through form of protest and re-connection to ritual. Although there are existing community centres, these proposed structures and spaces would be adaptable and for the exclusive use of the anti-gentrification movements.
RE-PLACEMAKING WITH TEXTILES
Re-Placemaking
My proposed intervention, of lightweight, portable structures, seeks to give agency back to the existing residents of Brick Lane and surrounding East London. Intended use for the save the Brick Lane foundation as well as other anti-gentrification groups. Through acts of reimagined rituals and traditions of the past, taking inspiration and precedents from the previous rebellion movements of the east end, as well as traditions of past and present communities (Huguenots, Jewish and Bengali), the space seeks to root itself back to the history of the area which is slowly being lost through redevelopment.
Using craft and textiles, inspired by the strong textile trade of the old east end, the flags and items made in the workshop space allow people in the area to create their own flags of something which roots them back to the area.
The pickle flag, for example, also to be used as a tablecloth to redirect the use of the space, links back to the heritage of the area. Through the use of motifs taken from the different communities part of the area and imagined through fabric, the flag turned tablecloth invites people to eat, drink tea and talk politics in a shared space. Linking back to the textile trade, food and curry houses, as well as the anarchists movement of the past.
RECLAIMING BRICK LANE
REIMAGINED RITUAL
My intervention, of lightweight, portable structures, seeks to give agency back to the existing residents of Brick Lane and surrounding East London. Intended use for the save the Brick Lane foundation as well as other anti-gentrification groups.
Through acts of reimagined rituals and traditions of the past, taking inspiration and precedents from the previous rebellion movements of the east end, as well as traditions of past and present communities (Huguenots, Jewish and Bengali), the space seeks to root itself back to the history of the area which is slowly being lost through redevelopment.
Using craft and textiles, inspired by the strong textile trade of the old east end, the flags and items made in the workshop space allow people in the area to create their own flags of something which roots them back to the area. Example flags made, for example the pickle table cloth, help to reconfigure the way in which the space is used to create informal gathering, creating new forms of placemarkers and protest.