Devanshi Rungta

Devanshi Rungta featured image

About

​​Devanshi Rungta is an interdisciplinary designer and entrepreneur based in London with roots in Kolkata, India. Her creative approach is informed by her Indian heritage and a relentless desire to experiment. She is known for her focus on interactivity, accessibility, and community involvement, extending the reach of art beyond conventional spaces.

She co-founded Art Rickshaw, a multifaceted creative platform offering diverse art classes and workshops, serving as a gallery and a launchpad for artistic products. She also spearheaded the launch of Kalfest, Eastern India's premier street art festival, reinforcing her commitment to public engagement in art. Collaboration is at the heart of Rungta’s practice, often involving artists, designers, craftsmen, and technicians in her projects. Her work is grounded in a critical analysis of various discourses, with a firm belief in the power of immersive narratives. Rungta uses storytelling, exhibition design, and user-centric interactive experiences to place the audience at the centre of her creative process.



Selected Works:

MYcorrhizal - IRCAM forum 2023, Centre Pompidou, Paris, FR (2023)

Boundaries of Existence - Metaverse Art Project Grant, Art Council Korea, London, UK (2023)

Catalyst - Co-designer for the multimedia installation for the Textile Circulatory Centre of research-Royal College of Art, Regenerative Fashion Hub, The Lab E20 London, UK (2022)

A Room with a View - Co-designer for multimedia sensory installation, LG-Royal College of Art, LUMINOUS competition, Old Street Gallery, London, UK (2022)

Guise - Bath Fringe Art Festival, Bath, UK (2022)

Statement

As an interdisciplinary designer passionate about accessibility and community engagement, I am actively delving into the power dynamics within museums and their impact on communities. I recognise that museums, as they stand, are political entities with the power to shape our understanding of history and culture. They do this through their functions—collecting, preserving, interpreting, and displaying objects.* However, this authority can often lead to an imbalance, marginalising certain voices and bolstering dominant narratives.

My project aims to navigate this landscape by scrutinising the very tools and methodologies that uphold these dynamics. I'm keen on reinterpreting these aspects, relocating them into a 'third space' that is more equitable, decentralised, and relatable.

I am committed to investigating the capacity for reimagining museums as democratic, community-centric spaces. My research is aimed at unveiling effective, actionable strategies that can level the playing field within these cultural institutions, enabling a wider array of voices to be heard. It is my intent to provide tangible methods for disrupting entrenched power dynamics in order to create a more equitable cultural landscape that truly reflects the diverse fabric of our communities.

*The Politics of Museums (New Directions in Cultural Policy Research), Clive Gray

The Personal Shrine Project

Workshop Structure

Object/Shrine Design

Workshops

WIP Workshops

Modular Cabinet

Medium: Installation

Size: 1.2 m by 1.2 m by 2 m