Zheng Yuan

Chinese mixed media artist Zheng Yuan explores the intricate interplay between organic and artificial processes, utilizing AI technology as a key tool in his artistic practice. At the core of his work lies a fascination with simulating symbiotic models that envision a novel organic state of harmony between humanity and plant life. In these models, humans are deliberately portrayed as non-dominant agents, challenging the conventional Anthropocentric paradigm and emphasizing their equal standing with other living organisms.

Through his speculative art projects, Zheng Yuan prompts viewers to critically reassess their connection to the natural world and contemplate their place within the evolving landscape of the post-human era. By blurring the boundaries between humans and plants, he seeks to catalyse a shift in perspective, inviting a re-evaluation of our relationship with nature and an exploration of alternative modes of coexistence.

With an explicit focus on symbiosis and a commitment to pushing the boundaries of artistic expression, Zheng Yuan's work serves as a catalyst for introspection and dialogue. By questioning human dominance and embracing a more inclusive worldview, he endeavours to ignite transformative conversations about the intricate interconnectedness of all life forms and the urgent need for a harmonious cohabitation within our shared ecosystem.

Recent exhibitions include: 

• Flowers, Zhujiajiao No.name Studio, China, Shanghai. Winter 2020
• Before Tomorrow, Art in Crisis Art Exhibition, Royal College of Art, London. May 2021
• Plantasia, Singapore National Arts Week, Digital Media Art Exhibition, Singapore, Kuala Lumpur. Spring 2023
• 'RCA2023' Graduate Show, The Truman Brewery, London. 13 - 16 July 2023

Event: 

• One of the creators of the visual background, Coronation Concert of the King of England, London. Spring 2023

In "Parallel Botany," we delve into a post-human realm where the merging of humans with nature relinquishes their dominant position. Through captivating sculptures, a surreal symbiosis unfolds between humans and the natural world, inspired by the allure of orchid mania and the symbolism of potted plants representing human control over nature.

Employing a hybrid approach, the sculptures intertwine orchids and potted plants, intricately incorporating the artist's own ears. This artistry of symbiotic fusion veils the human form, symbolizing the theme of decentralizing human existence. The subtle presence of ears within the sculptures acts as a concealed clue, subtly alluding to the enduring presence of humanity.

Integrating Chinese traditional craft, particularly the delicate artistry of velvet flower making, we witness the harmonious collaboration between humans and nature. This infusion beautifully showcases our shared history of coexistence and our appreciation for the natural world's abundant materials.

Through a veiled visual language, the sculptures gradually unveil the interplay between humans and nature, beckoning contemplation upon the delicate equilibrium between admiration and exploitation of the natural world.

Informed by the principles of posthumanism, surrealism, and ecological philosophy, the artist's work boldly challenges the anthropocentric perspectives that have prevailed for so long. It provokes a profound reevaluation of our intricate relationship with nature. By skillfully employing organic forms, textures, and materials, including the exquisite craftsmanship of velvet flowers, the sculptures ignite a sense of awe and wonder. The surreal presentation beckons viewers into a realm where reality and imagination harmoniously coexist.

Ultimately, "Parallel Botany" invites introspection and nurtures dialogue about humanity's rightful place within the intricate ecosystem, compelling us to ponder the potential consequences of our actions. By artfully blurring the boundaries between humans and nature, these sculptures ignite a transformative re-imagination of the innate and wondrous power that lies within the natural world.