Yilin Zhang

Yilin Zhang featured image

About

Yilin Zhang (b.1998, CN) lives and works in London. She graduated from the Royal College of Art with an MA in Contemporary Art Practice, following a BA in Print(Painting) at the China Academy of Art. Her practice traverses the fields of painting, print, installation, performance, workshop and fiction. Influenced by the occult, esotericism, myth, psychoanalysis and science fiction, she aims to create a hybrid immersive situation by blurring the boundary between reality and fantasy. Her practice focuses on the traumatic and subjective experience of the Other, using irrationality and perception as a strategy for an ongoing therapy.


Selected Exhibitions:

Beyond Surface, CAP Festival, Royal College of Art, Tate Modern, 2023

Ties That Cannot Be Unbound, New Art City, 2023

Dwelling on the Cloud, Ugly Duck, London, 2022

Sleepless Elysium, Venice Arsenale, Venice, 2022

1st Hyper Youth Award Artist Exhibition, Xixi, Hangzhou, 2022

Song of the Wanderers, Home Gallery, MartinGoya Business, Hangzhou, 2021

Aranya Theater Festival,aranya, Qinhuangdao, 2021

6th China Young Print Artist Exhibition, Guanlan Printmaking Museum, Shenzhen, 2021

FutureLab Art&Design Future Education Expo, WestBund Art Museum, Shanghai, 2020

International Guanlan Printmaking Biennale Shortlisted, 2019

Cement Park Live Art Festival, Moving Mind Museum, Shanghai, 2019


Statement

My recent practice focuses on monster culture and Frankenstein technology, especially about how those uncanny and monstrous figures reflect our fear of rapidly developing industrial civilization. 

I was inspired by the gothic fiction after the Industrial Revolution. As a combination of darkness, mystery, and sacred, gothic uses supernatural events to capture the hysterical force and horror raised by technology. Like Dr.Frankenstein’s monster, it is a pregnant metaphor for the process of capitalist production, which forms by deforming, civilized by barbarizing. It is also related to the Uncanny Valley brought by high-tech products (humanoid robots, dynamic machinery, soft robotics) in 21st century, becoming an allegory of reincarnation. I use paintings, drawings, and immersive installations as my approaches towards the 'Frankenstein Reanimated', creating heterotopia environments to reshape the perception beyond communication.

Enchanted

Medium: paintings, drawings, installations,2023

Size: 180cm x 120cm, 120cm x 150cm, 120cm x 100cm

Cloud

Medium: fiction,drawing,sound,installation, 2022

Size: dimensions variable

Furies

Medium: oil on canvas

Size: 60cm x 90cm x3

Chiron's Room

Medium: installation, video, drawing,2022

Size: dimensions variable

Chiron’s Room: A Text for Virtual Therapy Situation

Medium: writing (ongoing publication), 2020-2023

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