CINCI XINQI WANG
About
Enter a realm where illusions merge with reality, a space that delves into the intricate dynamics of marriage and childbirth.
Welcome to "The Shell", a world where identities fade, and women transform into vessels, losing themselves in the process.
Here, existence lingers in a liminal state, suspended between parallel dimensions, bound by an unseen spell.
Transparent shells hold the profound symbiosis of life, entwining mothers and their growing children in a delicate entrapment.
Embark on a journey of untold narratives, exploring the complexities of love, joy, and fear. Unveil the captivating tapestry of "Shell," where art intertwines with the human experience, provoking contemplation, challenge, and emancipation.
Statement
Cinci, a digital artist currently studying at RCA MADD, focuses on combining sensibility issues and mysticism, exploring the intersection of politics and ethics in contemporary contexts through the lens of the digital witch.
While studying at the Royal College of Art in Digital Direction, she worked on various projects including 3D Modelling Narratives, Virtual Human-VR Interaction, and creating Visual Novels.
The Metamorphosis (丧囍)
Gamophobia & Tokophobia among Chinese women
In traditional Chinese Confucian culture, fertility holds significant importance for women. However, many young women lack general knowledge of reproduction and fertility-related physiology and the means to educate themselves as mothers, leading to unexpected misfortunes. This project aims to explore the role of marriage and childbearing in transforming women's social identities, to understand better the experiences of women of childbearing age in China and to identify potential avenues of support and education. The findings will improve awareness of fertility-related issues among the population and inform strategies for addressing these challenges.
I aim to narrow down the deprivation of individuality and vitality in marriage and childbirth, and the De-emotionalised and dehumanised situation that those women suffered.
丧喜（SANGXI）means mournful wedding in Chinese, which points opposite towards a traditional ceremony concept 喜丧 (joyful funeral).
Medium: Digital media
Size: 3840 x 2160
HOPELESS FLAMESPINNING KINGDOM
Surreal Matrix
Medium: digital media
Size: 3840 x 2160
Holographic Urgesellschaft
Holographic Urgesellschaft
How can we ensure that our sense of morality doesn't get lost in the vast virtual landscape of the internet age?
Are we sacrificing our individual values for the convenience of technological advancement?
Is the allure of anonymity and escapism in the virtual world leading to the erosion of our moral compass?
And what happens when our virtual identities are shattered by the invasive act of "opening the box"?
Holographic Urgesellschaft, aims to explore through the lens of Generation Z and their relationship with digital media. Join us on a thought-provoking journey as we investigate the societal and environmental impact of our digital world and seek to redefine our understanding of morality and personal identity in the age of technology.
Medium: VR
Size: 3840 x 2160