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Painting (MA)

Sonia Jia · 夕背

Sonia Jia (b.2000)

Chinese born in Ukraine, Based in London / Hangzhou / Shanghai

An artist and independent film director whose primary mediums are oil painting and film production, involving mixed materials and ceramics in some of her installation works. Her artistic endeavors mainly revolve around issues pertaining to precarious intimacy within relationships, exploring themes of dependency, conflict, solidarity, and the trauma of sexual assault. Her short film has received multiple awards, including recognition from International Independent Film Awards. Her artworks have been showcased in exhibitions held in London, Milan, and other locations.





Sonia Jia sitting in front of an in-progress painting of hers.

Through various imagined narrations, Sonia Jia attempts to meditate on the complexity of precarious intimacies and heal from her childhood trauma. She believes that intimate relationships are inherently intertwined with conflicts between the urge to tightly rely on one another, based on the vulnerable nature of beings, and the inevitable gulf between individuals created by both the nature of reproduction, the ideology of individualism, and different personal traumas. Under these tensions, intimate relationships often find themselves in precarious stages. However, she believes that these precarious intimacies, which surround us and overcome many difficulties in relationships, have the potential to dissolve the boundaries between beings and construct profound solidarity among individuals.

Sonia’s understanding of intimacies in her art creations is deeply influenced by the reading "Precarious Intimacies" written by Maria Stehle and Beverly Weber. In this book, the authors profoundly analyze the visual intimate moments between people as a way to reconstruct solidarity and challenge the regimes of radicalized and gendered exclusion, violence, and economic vulnerability. To further examine the possibilities of this precarious intimacy, Sonia is also inspired by Georges Bataille’s encouragement to pursue non-utile work. She tends to collect those "irrational moments" in her life and transform them into narratives, such as dreaming, indulging, engaging in sexual activities, staring blankly, or even contemplating death. Through these reconstructed memories depicted in her paintings, she aims to create realms where discontinuous beings can genuinely share emotions and eventually reach a stage of continuity.

3 paintings installed on wall
Burning a Bouquet, 170x235cm, Oil on canvas, 2023
Three oil paintings installed on wall. Left: The Bearded Dragon on Shoulder; Middle:Kid; Right Burning a Bouquet
Left: The Bearded Dragon on Shoulder; Middle:Kid; Right Burning a Bouquet
Two oil paintings and one metal box. Left: Planting, oil on canvas; Middle:Collecting the Uncollectible, metal box and plaster;
Left: Planting, oil on canvas; Middle:Collecting the Uncollectible, metal box and plaster; Right:Tactile Fragment, oil on canvas
The Bearded dragon on shoulder, oil on canvas, 133x235cm
The Bearded dragon on shoulder, oil on canvas, 133x235cm
A metal box and one small painting
Left: Planting, oil on canvas; Right:Collecting the Uncollectible, metal box and plaster
Tactile Fragment, 150x200cm, Oil on canvas, 2023
Tactile Fragment, 150x200cm, Oil on canvas, 2023
Planting, 40x50cm, Oil on canvas, 2023
Planting, 40x50cm, Oil on canvas, 2023
Metal box with a plaster
Collecting the Uncollectible, 23x36x13cm, oil on plaster and metal box, 2023
Kid, 96x120cm, Oil on canvas, 2023
Kid, 96x120cm, Oil on canvas, 2023

Medium:

Oil on canvas, Plaster, Metal Box
Mixed media
Diaries Collection, Installation containing ten objects, Material: Plaster, Resin, Wood, Stone, Snake Skins, Snow Berries, 2022
Soaring Flowers, Sound and oil installation, 2023
Soaring FlowersSound and oil installation, 2023
Milky, 133x196cm, oil on canvas, 2023
Milky133x196cm, oil on canvas, 2023
Nedo, oil on plaster, 2022
NedoOil on plaster, 21x29cm, 2022
Snake skin and plaster
Curled SnakeSnake skin, plaster and snowberries, 22x14.8cm, 2022

Medium:

Plaster, Oil painting, Wood, Snake Skin
Her Feather, Her Body (28min, 2021)This is a 30s clip version uploaded. I wrote and directed this film based on my diaries, recording my memories, emotions, and the drawings I made during that time, as well as the experience of watching Dereck Jarman’s film “BLUE”and reading Albert Camus’s “The Growing Stone”with my ex-girlfriend.​​​​​​​ The film describes the psychological journey of a Chinese performance art student Yuye and Siqi’s ambiguous same-sex relationship. Yuye’s attraction towards Siqi, trauma from sexual assault in her child.

Awards

2021 International Independent Film Awards , Film “Her Feather, Her Body”: Sound Design/ Editing - Silver Winner & Best Student Film - Silver Winner

2021 Paris Film Festival, Film “Her Feather, Her Body”: Best LGBTQ - Winner

2021 New York Movie Awards, Film “Her Feather, Her Body”: LGBTQ Film- Honorable Mention

2021 Milan Gold Awards, Film “Her Feather, Her Body”: Sound Design - Gold Award & LGBTQ Film- Silver Award

2021 Florence Film Awards, Film “Her Feather, Her Body”: LGBTQ Film- Honorable Mention

2021 ONIROS Film Awards, Film “Her Feather, Her Body” - Best Sound Design & Best LGBTQ Film

2021 New York International Film Festival, Film “Her Feather, Her Body” - Best Sound Design & Best LGBTQ Film

2023 MIART Nomination, Rotary Club Milano - Nominated as ”BRERA PER L’ARTE CONTEMPORANEA E I GIOVANI ARTISTI” in International Modern and Contemporary Art Fair in Milan

Medium:

Film Production

Sonia Jia on Instagram