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Painting (MA)

Shafina Jaffer

Shafina Jaffer is an African artist who has completed her Graduate Diploma in Art & Design & Masters in Painting from the Royal College of Art. Additionally, she has been trained at Ruskin School of Art, Slade School of Art and The Prince’s Foundation of Traditional Arts, United Kingdom. She has lived in multiple countries across different continents and is currently residing in Tanzania. Her works have been featured in several international exhibitions and publications. More recently her painting, Take Me Away, was selected to be shown at the Coronation Concert of their Majesties King Charles III & Queen Camilla at Windsor Castle.

In her view, the current landscape of ‘spiritual’ art is shaped by interpretations primarily derived from a religious lens. Her goal is to move away from such interpretations that fall under a religious aegis, aiming instead to intermingle scientific, philosophical and nature themes with the spiritual. In a maxim: she fosters an appreciation of spiritual art through thematic expressions that are a blend of scientific, philosophical or naturalistic reason — not religious nor esoteric reason.  

Furthermore, as an artist whom aims to provoke critical interpretations of her art from spectators she leverages the concept of archetypes and mono-myth. In that, across civilisation - as well as across a globalised monoculture - there exists, and persists, social and cultural themes upon which she capitalise on. These archetypes being ones that pertain to: gender, feminism, the identity of the ‘self’ and divinity. 

In the future, Shafina aims to further explore the human anatomy, its relationship to spirituality and nature, whilst also embedding techniques of African art with modern art.



Degree Details

School of Arts & HumanitiesPainting (MA)RCA2023 at Truman Brewery

Truman Brewery, F Block, Ground, first and second floors

Bark cloth painting with natural pigments.

Shafina Jaffer uses her art to express her sensitivity towards nature and spirituality. These themes are often the ones articulated in her work where she aims to intermingle scientific, philosophical and nature themes with the spiritual. Moreover, this abstract attitude is further exalted with her use of authentic African organic materials, such as bark cloth, soil, crystals, cow bone, gold, saffron, turmeric, coffee, charcoal, henna and found items from her environment. Shafina has been trying to develop something that creates bridges between Indian, African & Modern Art. Being from a minority in her part of the world she feels that it’s vital that she pioneers a new marriage of different cultures.

Psychography and daily mediation before painting plays an important part in her practice as she believes it is the process that makes a painting spiritual, not only the art.

Creating a variety of pigments and colours from leaves & minerals & food and combining these with eco printing adds a different layer to her work; rubbing & layering, drawing in graphite and charcoal & then adding water to make it more intense. The pencil work is more focused on iconography & spirituality. Drawing on canvas again to her are scrolls with messages which she channels. Eco-printing by bringing in leaves & the rain she feels God is painting with her in some pieces (Word of God in the symbols). The peacock or an illusion to a peacock being present is often seen in her drawings, representing admiration by all and although wise, it is burdened by its beauty: it cannot fly. There is constant innovation & experimentation in her practice.

Shafina believes that the world needs "GRATITUDE" and her practice focuses on projecting the same emotion in to universal energetic field. Her bark cloth paintings appearing more as artefacts that hold messages from the other side.

Connected Connected series, the scrolls hanging in my studio at RCA.
Connected -The Scrolls series
Connected -The Scrolls series (6)Six canvases. Shafina aims to convey the themes of spirit and the secular through the use of intermingled fusion of icons from disparate origins. In all the works we observe an ambiguous background of text achieved through the use of rubbing on canvas. Layered above this background are icons & drawings Resultantly, striking out & provoking a dualistic concern of diametric opposites: a) the concern of belief in something beyond and b) the belief in the indifference of nature to whatever we believe in.
Connected -The Scrolls series
Creation traverses through time and dimension.Drawing on canvas. 2m x 1.45m Graphite & Charcoal African Kitenge border. A dance of the cosmos, the human anatomy and the natural world of trees displays itself. The work calls one to think of the way they navigate their place in a human universe.
Struggling to reach my higher self.
Struggling to reach my higher self. Drawing on canvas. Size: 90 cm X 70cm Graphite & Charcoal African Kitenge border. The work shows the themes of the human balance between the material world or immaterial world. As we hold up our abilities of knowledge, we hold down our naturalness.
Connected through the heart chakra and moving in cycles.
Connected through the heart chakra and moving in cycles. Drawing on canvas. Size: 2.5m X 1.2m Graphite & Charcoal African Kitenge border. If you love someone or something you will not harm it as your heart is connected. That’s the circle of life propagated by the hand that helps, receives & blessed.
My spirit lovingly dances through life filled with joy.
My spirit lovingly dances through life filled with joy. Life oscillates and cycles just as all things. For our existence, much of its success is seen through mindfulness and an elegant dance. 7 chakras, a third eye and the supreme universal being, whose hands balance the cosmos, balance our hearts and our creeds.
Born to break free from the bonds that hold me back.
Born to break free from the bonds that hold me back. Women are weighed down in life with, sometimes their beauty becomes their burden, sometimes their responsibilities and sometimes society. .Make the intension to soar towards the Divine, keeping your focus on love, beauty, freedom, elegance & gratitude. Be brave & break free from the bonds that hold you back, but not so that the connection is severed. For she is stronger that you think.
Endless Connection of Spirit, clouds becomes water & water becomes clouds.
Endless Connection of Spirit, clouds becomes water & water becomes clouds.I believe everyone & everything has a back story, so I decided to draw spirit on the back of my canvases. All the same but yet the lines are different, just as the paths are different. No person can step in the same water twice, no two beings are the same. The sameness of life is like a an illusion watery horizon vast and hypnotic, yet each moment, like each stroke is unique.

Medium:

Graphite and charcoal on canvas, surrounded by Kitenge (Tanzanian fabric).

Size:

Various sizes
Resonances of LifePainted on Gome (Tanzanian bark cloth), the work is a reflection of primal art, seen in cave paintings or tribal paintings. However, this primal aspect of the work is contrasted with sophisticated geometric patterns that speak to the sophistication of an ancient but sophisticated culture from antiquity. I have given it a modern flavour by combining my Indian African heritage (inspired by the henna designs) with abstract art, applied with pigment made from cow bones, malachite crystal, 22K gold & charcoal.
Bark cloth, 1.6m by 1.6m, work in progress.
Resonances of LifeThe bark of a tree is used to make bark cloth. It feels strong like leather and is very absorbing like human skin. This piece originates from the Kagera, Tanzania. It is painted with abstract images with henna designs & seed shaped dots. These are meticulously painted on with a toothpick in charcoal, malachite, 22k gold & cow bone pigment, Tanzanian clay & Maasai hair colour & charcoal. The designs are inspired by traditional henna art, nature & modern abstract.
Bark cloth painting with natural pigments.
Resonances of LifeClose up of the bark cloth fabric.
Bark cloth painting with natural pigments.
Resonances of LifeClose up of the painting on the bark cloth fabric.
Bark cloth, 2m by 2m, work in progress.
Vidya Dyan (Sharing Knowledge)Gome (Tanzanian bark cloth) Work in progress on bark cloth, using natural pigments.
Emerging
Emerging Spirit moving in tandem-man, animal & nature. Size: 150cm X 40cm Material: Gome (Tanzanian bark cloth), 22K gold, pigments from cow bones & malachite crystal, Tanzanian clay & Maasai hair colour, gold & charcoal.
Emerging 2
Emerging 2Spirit moving in tandem-man, animal & nature. Size: 110cm X 10cm Material: Gome (Tanzanian bark cloth), 22K gold, pigments from cow bones & malachite crystal, Tanzanian clay & Maasai hair colour & charcoal.
Emerging 3
Emerging 3Spirit moving in tandem-man, animal & nature. Size: 60cm X 10cm Material: Gome (Tanzanian bark cloth), 22K gold, pigments from cow bones & malachite crystal, Tanzanian clay & Maasai hair colour, gold paint & turmeric.
Mother Trees
Mother Trees (diptych)Gome (Tanzanian bark cloth) 2m by 1m Oil paint & acrylic
Resonances of Life
Resonances of LifeClose ups of a combinations of Indian & African designs on Gome (Tanzanian bark cloth) with modern art.

Medium:

Gome (Tanzanian bark cloth), Malachite , pigment from cow bones, 22K Gold, Tanzanian clay, Maasai hair colour and charcoal.

Size:

1.7m x 1.7m
Take Me Away
Take Me Away At the concert concert Shafina's painting was projected onto Windsor castle during the Romeo & Juliet performance, celebrating the coronation of their Majesties King Charles III & Queen Camilla. One can see the starry sky on the curved screen & the red moon on the castle. What a tremendous & historic honour for her country & the university.
Take Me Away -Coronation Concert Painting
Launch Project
Take Me Away -Coronation Concert Painting Interviewed by RCA on the making of the Coronation Painting.
Guardian News & Citizen Newspaper, May, 2023
Guardian News & Citizen Newspaper, May, 2023 https://www.instagram.com/p/CsjXuEioC-Y/?igshid=NzJjY2FjNWJiZg==
Majira (newspaper)
Majira (newspaper) www.timesmajira.co.tz
The Scrolls (diptych)The Scrolls are two 5m by 1.5m long canvas, surrounded by bark cloth & painted with saffron, turmeric, graphite and charcoal. The process included painting outdoors in the rain to make the Divine part of the art work. Additionally using eco-printing to allow the prints of nature speak for itself. These two pieces are messages from the other side, telling us it is time to wake up & look after nature, which is a living organisms that sustains us. We must not just consume it but live alongside it.
The Scrolls, a 5m long canvas, surrounded by bark cloth & painted with saffron, turmeric, graphite and charcoal.
The Scrolls (diptych)The Scroll is a 5m long message on canvas, surrounded by a border of Tanzanian bark cloth and painted with saffron, turmeric, rain water, graphite and charcoal. Technique includes eco-printing & fine drawing.
The Scrolls, a 5m long canvas, surrounded by bark cloth & painted with saffron, turmeric, graphite and charcoal.
The Scrolls (diptych)The Scroll is a 5m long message on canvas, surrounded by a border of Tanzanian bark cloth and painted with saffron, turmeric, rain water, graphite and charcoal. Technique includes eco-printing & fine drawing.
The Scrolls, a 5m long canvas, surrounded by bark cloth & painted with saffron, turmeric, graphite and charcoal.
The Scrolls The Scroll is a 5m long message on canvas, surrounded by a border of Tanzanian bark cloth and painted with saffron, turmeric, rain water, graphite and charcoal. Technique includes eco-printing & fine drawing.

Medium:

Bark cloth, canvas, turmeric, saffron, rain water, graphite & charcoal

Size:

5m by 1.5m
Hidden messages within the trees.
Abstract painting of two faces with natural pigment on a piece of log.
The Kiss
Abstract painting of two faces with natural pigment  on a piece of log which is shaped like an eye.
The Eye Creates & Sees the future Abstract painting of two faces with natural pigment on a piece of log which is shaped like an eye. The shape could also be viewed as seeds or eyes which a have emerged from an inner vision and are travelling towards an unknown destination, each one on his own journey.
Bird eye view of a kiss.
Bird eye view of an explosive Kiss. Wooden board. Size: 40cm by 40cm Medium: Tree bark, cow bone pigment, Massai hair colour, clay from Tanzania, soil from Tanzania.
An angel in my eye
An angel in my eyeSize: 15cm Material: 22K gold, pigments from cow bones & malachite crystal on African log. I find pieces of logs which are discarded by others but hold messages for me. I believe enhancing these with colour turns intuition into reality.
Sacred Woman
Sacred Woman Acrylic pigments on cow hide. Size: 60cm x 20cm
Sacred Woman 2
Sacred Woman 2Acrylic pigments on cow hide. Size: 200cm x 150cm
Sacred Woman 3
Sacred Woman 3Acrylic pigments on cow hide. Size: 60cm x 20cm