Ming Harper

Ming Harper featured image

About

Ming Harper is a London based architecture graduate. She completed her BA at Newcastle University, graduating with first-class honours. Ming has gained experience working for London practices Carmody Groarke and Andrew Harper Architects and worked on site renovating an Edwin Lutyens house for building contractors CC Construction.

In her first year at the RCA in ADS7 her project explored carbon dioxide removal approaches (CDR), in particular policy change around BECCS (Bioenergy with Carbon Capture and Storage) and investigated retrofitting natural draft cooling towers to be used as a blueprint for CCS at redundant power stations across the UK.

In ADS6 this year Ming explored digital narratives exploring ‘Restructuring England’s boarder through aquaculture and the Crown Estate’ especially through the use of film, and material experimentation from site visits to the South Coast.

Statement

The design proposes new coastal areas to live in, play in, work in, represent, characterise and occupy.

The thesis will apply the methodology of aquaculture and ask whether we can form a new coastline using the infrastructure of these farming methods. Aquaculture is a farming method that, if practiced sustainably, can have transformative effects on a multitude of economic, environmental and social factors. The project explores how the potential of seaweed can blur perception of the UK’s marine barrier and positively restructure the identity of the coast and seabeds.

The climate emergency is an omnipresent threat. Yet current change is limited, is often at a small scale and a slow rate. New technology and government enforced policy is needed. In tandem with aquaculture the project evolved through investigations into the ownership of the UK’s coastal regions and seabeds, leading to questions on perception of the UK’s national identity and notions of island-hood through symbolic and physical geographical barriers. How can the insular exceptionalism manifested through England’s south coast be modified by changing how people use and inhabit, and consequently, perceive and migrate through the sea surrounding the UK? Through the use of film techniques, material experimentation and a digital narrative, how can political demand grow for policy change around the practice of aquaculture in the Crown’s marine holdings and what could the physical manifestation of this be?

Primitive Hut

Medium: Film

Size: 6 minutes 28 seconds

Aquaculture - Seaweed

Islandhood

Ownership - The Crown Estate