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Ceramics & Glass (MA)

Meichen Chen

pink long bamboos
Ali-Revolution-1Top half H80cm, Bottom half H62cm*16.5cm*16.5cm
pink long bamboos
Ali-Revolution-1Detailed view
green long bamboos
Ali-Revolution-2Right W15cm*L15cm*H115cm(including cement fragments), Left W11.5cm*L12cm*H30cm
yellow small bamboo
Ali-Revolution-2W11.5cm*L12cm*H30cm, details
green long bamboos top
Ali-Revolution-2The detail of top of the work, the cement with concrete fragments.
green bamboos like knife, sharper
Ali-Revolution-3Left W7cm*L8cm*H53cm, Middle W8cm*L8cm*H79cm, Right W7cm*L10cm*H69cm
green bamboos like knife, sharper
Ali-Revolution-3Middle W8cm*L8cm*H79cm, details
green bamboos like knife with roots
Ali-Revolution-4W24cm*L25cm*H45cm, with roots

This is an alienated revolution that relates to non-human living beings.

In this collection of works, the alienated bamboos become even more resilient and powerful, metaphorically portrayed as plants themselves and females, rather than males. No matter how hard humans try to repair the roads, fill them with concrete, she/they still can destroy, destroy, and destroy once again.

In Chinese culture, bamboo symbolizes perseverance and uprightness. It is often metaphorically used to symbolize males possessing these qualities. However, there are very few examples of using bamboo to portray females, and even when there are, it is usually in relation to the swaying moments of bamboo. Why can't females possess those resolute qualities? Or why females who are with those qualities are not praised? 




Flash of Growth
Flash of Growth
Flash of Growth

The feeling of growing from abandoned land and blurred line between the reality with virtual.

Medium:

Ceramics, glaze

Size:

H45cm*L32cm*W30cm
mutated flower
mutated flower

Medium:

Ceramics, glaze, lustre

Size:

W23cm*L27cm*H10cm
It should not be
it should not be
Refire

Medium:

ceramics, glaze, lustre, concrete

Size:

L28cm*W22cm*H18cm
slug
slug

Wandering on land.

Medium:

Ceramics, glaze

Size:

L45cm*W11cm*H7cm
strawberry
strawberry
strawberry

Human never know what the strawberry will be in the future.

They possess the ability to disguise themself and uncontrollably sprouts from various places, like an invincible swarm of locusts.

Medium:

Porcelain stoneware, glaze

Size:

W11cm*L11cm*H17cm

Meichen was born and raised in China. She is currently pursuing a MA in Ceramics & Glass at the Royal College of Art in London, graduating in July 2023. She previously studied for a BA in Ceramics at Hubei Institute of Fine Arts in China, where she graduated with distinction and was awarded the Outstanding Graduation Work Award.

Meichen went to the Archipelago Art Residency in Korpo, Finland in 2022. She had experience with different studios in Jingdezhen, China, and studied local techniques during 2019-2020. Also she had an internship in Qichun Pipe Kiln Factory, China in 2018.

Drawing on her childhood experiences of nature, Meichen believes that nature is not what humans think it is and should not be controlled. Meichen's approach to making is experimental, exploring the difference in texture of slip with different levels of humidity that are squeezed out of a syringe. She removes the shape of a strawberry, for instance, keeps its texture, and reconstitutes it as new shapes. Meichen tries to re-combine different living beings together which then become a new species.

Degree Details

School of Arts & HumanitiesCeramics & Glass (MA)RCA2023 at Truman Brewery

Truman Brewery, F Block, Ground, first and second floors

嗯?

During her studies at the RCA, Meichen started to explore the topic of mutation. And the observation of natural living beings that have a strong vitality. She has an interest in exploring radical activities that work against marginalisation, especially in relation to female perspectives and the oppression of a patriarchal society

She believes that the anthropocentric mindset has made humans increasingly greedy and arrogant. Humans invade natural habitats and manipulate genes to serve human purposes, this brings about the possibility of destruction. The long-standing oppression of female led her to connect with plants and animals that are oppressed by humans. Meichen looks to how natural beings, use their unique abilities to challenge dominant structures, and provide people the inspiration to move into a different future.

Meichen’s work seeks to set up a scenario in which non-human organisms disrupt human environments. They grow and becoming overwhelming fast, hurting other things without noticing, growing up in unexpected ways and places. Sensing with their roots, some of them can heal individually and have the ability to grow anew after having parts cut off.

Meichen combines many different ceramic techniques, syringing slip, slab building and press moulding, as well as using a combination of different clay fragments throughout her work. She also aims to combine ceramic elements with different artificial materials, such as concrete and furniture, to convey a sense of the power of mutated living beings to break through human space.