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Painting (MA)

Kimberley Burrows

Kimberley Burrows, (b. 1988) is an interdisciplinary artist, disability advocate and model living and working in London. She is a recipient of the Tony Snowdon Scholarship awarded by the Snowdon Trust (2022-23.) Kimberley first graduated from Leeds Arts University (2021) before completing her MA in Painting at the Royal College of Art (2023). During her time at University, she received the Student of The Year Award at the Specialist Institution Awards and won the Guide Dogs Life-changing Partnership Award alongside her beloved Guide Dog, Tami.

Kimberley's practice is informed by her sight loss. Shifting from illustration to painting, she developed accessible systems of creating to make outcomes which are both engaging and profound. Abstract painting, printmaking and poetry allow Kimberley to understand the world around her whilst, simultaneously, challenge her ongoing intimate relationship with grief and loss. Muscle Memory, spatial awareness and touch interplay to create dimensional surfaces.

With a passion for fundraising and volunteering spanning over a decade, Kimberley has previously facilitated art classes to visually impaired service users at Henshaws Society for Blind People in Manchester and to school children with East African Playgrounds in Kasambira, Uganda. Working closely with the RNIB (Royal National Institute for Blind People), she has campaigned locally, nationally and internationally, visiting both UK and European Parliament for stronger accessibility legislation. Kimberley developed and Co-Chaired a successful campaigning network of visually impaired and blind young people. Most recently, she contributed to RNIB's press release celebrating British Vogue's first Braille edition of their May 2023 Disability issue.

Kimberley has featured on BBC News and BBC Radio numerous times regarding her artistic practice and advocacy endeavours, as well as in various publications. Kimberley released a successful clothing collection with Warehouse UK, incorporating her abstract designs, has painted for the Wellcome Collection, RNIB, UK Scouts, and the Holocaust Memorial Day Trust, among others.

She is signed with Zebedee Talent, a revolutionary modelling agency representing people with disabilities.

Kimberley will be the Student President of the Student Union at the Royal College of Art, starting August 2023.

Selected Exhibitions and Events

  • RCA2023 MA Exhibition, Royal College of Art, 30th June - 3rd July (2023)
  • Inside Out - celebrating Mental Health Awareness Week, Core Arts Hackney, 15th May (2023)
  • Meet the Artist, 166 Cafe Bar Battersea, 29th March (2023)
  • Art N' Soul - Live Painting Performance, The Nest in Treehouse, 28th March (2023)
Kimberley stands in front of a large, round abstract canvas. It is brown and grey. Kimberley is a white woman with blonde hair.

As an artist navigating the world through the veil of blindness, my practice takes me on a journey of the human experience with a vulnerable sincerity.

Developing a practice of abstract painting, printmaking, writing, thinking and questioning, I interrogate what it means to grieve, to sit with our grief and to allow ourselves to be transformed by grief.

Capitalising on all the senses beyond sight allows the act of painting to become a powerful, immersive and cognitive experience. My body acts as a vessel, channeling raw emotion in a visceral performance, creating evocative visual language.

Blindness has equipped me with a unique perspective: one that is rooted in heightened sensory perception and a deep connection to the world around me. Painting bridges the gap between the seen and unseen - what is visible and what is felt. I aim to challenge conventional notions of perception. I invite the viewer to consider what exists beneath the canvas surface and beyond the confines of traditional visual perception by transcending the limitations of sight and embracing a holistic sensory experience. Physicality taps into the universality of our human emotion.

Grief occupies a central place in my practice. By building the texture and surface qualities of my canvases, I seek to capture the multifaceted tapestry of grief - its rough edges, delicate nuances and its transformative power. Each added and eroded layer becomes a metaphor for grief's non-linear stages and an invitation to engage in our experience of loss.

As a disability advocate, access to information is part of my core values. I carefully curate and facilitate an environment which is accessible, inclusive and immersive to a diverse range of visitors.

Widow's Weeds hanging on s white studio wall. It is a large circular canvas of brown tones.
Widow's Weeds 40 inches Acrylic and mixed media on wood panel
Three circular abstract wood panel canvases hang on a white wall. They are in black frames.
Widow's Weeds: Triptych 13 inches Acrylic and mixed media on wood panel
A small circular framed canvas. Brown and parchment-hue in palette. Drips and smears in the composition.
A small circular framed canvas. Brown in palette with a soft appearance.
A small circular framed canvas. White and brown in palette with a soft appearance, yet tightly textured surface.
A close-up of one of the smaller canvases. Brown in palette with a cracked surface texture.
A close-up of one of the smaller canvases. Brown and white in palette with a crackled surface texture.
A cosmic painting of black, blue, white and brown. Blended clouds and splatters create a cosmic scene.
A detail of a cosmic painting of black, blue, white and brown. Blended clouds and splatters create a cosmic scene.
A detail of a cosmic painting of black, blue, white and brown. Blended clouds and splatters create a cosmic scene.

Medium:

Acrylic on canvas

Size:

120 x 150 cm
A black rectangular canvas with various white and grey textures built on top
A close-up detail of a black textured canvas with contours.
A close-up detail of a black textured canvas with contours. The bottom left of the detail has foamy surface qualities.

Medium:

Acrylic and mixed media on canvas

Size:

50.8 x 101.6 cm
Two dark grey canvases with black textured surfaces. One is square and one is rectangular.

Medium:

Acrylic and mixed media on linen

Size:

40 x 40 and 40 x 20 cm
Black textured canvas with three dimensional brush strokes
Black textured canvas with three dimensional brush strokes.
Black textured canvas with three dimensional brush strokes.
A dark abstract painting hung on a white studio wall. Drips and splatters create a dark forest.
Close detail of the painting. Mostly black with some light in the bottom left corner.
Close detail of the painting. Mostly black splashes, splatters and strokes.
An abstract canvas hangs on a white wall. Downward broad brushstrokes softly blend atop a neutral pale underpainting.
An abstract painting with upward strokes of Black, seafoam and brown.
A dark monochromic monoprint. Swirls of grey, black and parchment billow together.
A dark monochromic monoprint primarily of dark grey. Stipples of black diapers throughout with clouds of parchment to the right.
A grey monoprint with large painterly strokes of parchment and black swirled throughout the composition.
A monochrome monoprint with brown and grey tones. it is grungy and dusty with speckles and noise.
A dark monoprint of grey and black. A few swirls of parchment hue swirl into the centre like thunder clouds.
A dark monoprint of grey and black. A few swirls of parchment hue swirl into the centre like thunder clouds.
A dark monoprint of grey and black. A few swirls of parchment hue swirl into the centre like thunder clouds.
A dark monoprint of grey and black. Eroded clouds enter the top right of the composition.
A cloudy monoprint of grey and black.
A light monoprint in a monochrome palette. Mostly parchment hue with a few dark marks at the bottom of the composition.
A monoprint in a monochrome palette. Vertical shards of black fragment across parchment hue.
A monochrome monoprint. Grey, black and parchment hue thunder together in chaos.
Three framed Braille poems. Black circular frames house Brailled poems on black card.
Grief Itself 8 inches Framed black cardstock, 180gsm Hand-Brailled with Braille slate and stylus.
Two black braille labels etched into 5mm acrylic.
Exhibition labels Various sizes Laser-etched black acrylic, 5mm
A close up of laser etched braille into black acrylic.

Medium:

Hand-Brailled and laser-etched acrylic,

Size:

Various sizes

The Tony Snowdon Scholarship (The Snowdon Trust)

"The Snowdon Trust: Unlocking Potential." The Snowdon Masters Scholarships were created to identify and accelerate exceptional disabled individuals through higher education. Kimberley Burrows was one of twelve successful scholars to be awarded the Snowdon Masters Scholarship, to support her study at the Royal College of Art, for the academic year 2022-23.