Ekta Bagri
About
Ekta Bagri, from Kolkata, India, is an emerging ceramist and visual artist. She honed her craft at Goldsmiths, University of London, where she obtained a BA in Fine Art & History of Art. Her research, undertaken during her tenure at the Royal College of Art and using facilities at Imperial College London, earned her a coveted nomination for a 2023 D&AD Award in the Future Impact Category.
Her work has been displayed at celebrated events and institutions such as Clerkenwell Design Week, the Saatchi Gallery, the Pumphouse Gallery, and Peckham Levels, among other notable group exhibitions in London. On the international front, her sculptures have been showcased at the Maison et Objet in Paris, and she has upcoming exhibits in Madrid and the Luxembourg Art Fair.
A memorable highlight of Ekta's career was her selection for a research residency with La Wayaka Currents in the Atacama desert, Chile. Here, she left an enduring mark with her ceramics, which are now a permanent installation.
At present, Ekta is developing a community-engagement art installation for the Museum in the Park, Stroud, in collaboration with Cotswold Archaeology.
Statement
‘Care is everything that is done (rather than everything that ‘we’ do) to maintain, continue, and re-pair ‘the world’ so that all (rather than ‘we’) can live in it as well as possible.’ - Maria Puig De La Bellacasa
but
This ethos raises a pertinent question:
What would our environment resemble had no transformations occurred?
Ekta, an artist deeply entwined with the Earth's fabric, sets her focus on rekindling the human-land connection in an age characterised by escalating ecological concerns. Her work delves into the intricate narratives of origin, locale, and identity. Ekta takes her audience on an enlightening exploration of waste as a viable material, thereby demonstrating the potential of an art practice that minimises the generation of waste.
Uniting the domains of science and art, her installations form a harmonious link between the human and the non-human realms, a symbiosis between the microscopic world and the corporeal form.
In Ekta's creative process, the narrative of the land is the heartbeat of her work. Her materials are procured and deeply informed by conversations, investigations of construction sites, and visits to gardens. Through her practice she portrays the reorganisation of nature such that it is conceived of the soil and ultimately returns to its origins. The layered interplay and intricate entanglement of materials in her sculptures engender a distinct ecological aura.
an ecology of materials.
'The Clay Cycle'
About 'The Clay Cycle'
The heart of the research I undertake revolves around the exploration of materials, aiming to provide a solution for the prominent issue of waste generation, a problem particularly prominent in the field of crafting. Unfired works serve as the core showcase of the project, which deeply investigates themes such as location, provenance, and the materiality of Earth.
The raw materials for the works come from waste soils, collected predominantly from construction sites and rich in wild clay. The technique of rammed earth and bacteria concrete, an intriguing bio-material, is the key in creating an ecosystem within the art pieces. Sculptures crafted from Earth initiate a 'clay cycle' - born of Earth, returning to Earth.
The heavy influence of material research is evident in the works, shaped by many conversations with researchers, professors, students, construction workers, and local residents. Drawing from these exchanges and personal experiences, the intention is to weave a space that bridges the gap between the human and the non-human world.
Medium: Soil, clay, natural pigment, AV
Living Concrete
About 'Living Concrete'
The Living Concrete is an extra project I had undertaken as way to maintain the sustainable aspect of my install. The soil blocks are bonded with the living concrete, which provides a monumental structure.
Medium: Concrete, Bacteria
Process
Texture Inspiration
