Cyan D’Anjou

Cyan D’Anjou featured image

About

Cyan D’Anjou (b. 2000, NL/US) is an experiential sculpture and media artist whose work takes on a speculative quality as she envisions the potential impacts of current technological advancements and the information economy on our societal fabric–which she often expresses in the form of interactive installations, audiovisual experiences, and sculptural designs situated within a conceptual world-building narrative.

With a previous background in technology, design, and innovation ethics from Stanford University, she creates tactile experiences around AI’s growing presence in our everyday and the subsequent cultural, anthropologic, and psychological changes that follow the normalization of data capitalism in our environments. Cyan is particularly interested in investigating behavioral shifts as we face a point of reckoning the declining state of our climate while humans’ relationships with the physical world becomes more blurred.

Her works have been exhibited internationally including at the High Museum of Art (Atlanta, US), SOMArts (San Fransisco, US), Saatchi Gallery (London, UK), Centre Pompidou (Paris, FR), and Sonsbeek ‘16 (Arnhem, NL).


EDUCATION

2023 Royal College of Art, MA Information Experience Design 

2022 Stanford University, BS Human Immersive Design Engineering


UPCOMING SHOWS

Oct 2023 ReA! Arte Fair 2023, Fabbrica del Vapore, Milan, IT

Health as Currency, Embassy of Health, DDW ’23, Eindhoven, NL

Aug 2023 Figures 2023, CICA Museum, Seoul, KR

Jul 2023 Beyond a Priori, Seasons Gallery, London, UK


SELECTED RECENT EXHIBITIONS


2023 Brink, 2030 Collective, RCA Hanger Gallery, London, UK

Welcome to the Uncanny, Athens Digital Arts Festival, Athens, GR

IRCAM Forum, Centre Pompidou, Paris, FR

Murmurations, RCA Kensington Theater, London, UK

Climate 20XX, Orleans House Gallery, Richmond, UK

2022 Multifaceted, SOMArts, San Francisco, USA

2020 New Dimensionality, Center for Computer Research, Stanford, USA

Statement

Sacrifice of Motherhood is a climate fiction scenario set in the year 2045 that imagines a society where one’s social status is attributed to their dedication to the flourishing of nature. Its aim is to address the question of “what if we were to give more to nature than we take from it?”

Inspired by the act of designing “an empty vessel waiting to be filled” described in the ‘Perspecta 54’ excerpt The Possibilities of Atopia by Auger and Hanna, to address this central question, I’ve written a set of values for a future world that takes into consideration the social value structures which already exist in our everyday lives, but altered for the benefit of our environment.

The Sacrifice of Motherhood values outline a mindset whose objective is to de-prioritize a human ideal of “survival” to instead focus on the longevity of our full environment.

Sacrifice of Motherhood: Manifesto

Medium: Text-based worldbuilding research

Organic Social Capital

Medium: Experiential installation of acrylic altar table, 3D printed plants, soil, and interactive web-app

Size: Dimensions variable

Jinhua Group, LTD

Medium: Speculative products using lychee fruit, resin, tin cans, acrylic, and a transparent screen

Size: Dimensions Variable

The Alter

Medium: Partable acrylic sheets

Size: 180 x 150 x 70cm

Who is more known than Mother?

Medium: Speculative video refection and performance