Claire Breach
		About
I have you here today to make a proposition, a solution if you like, to this whole degree show malarkey. For I have discovered a way to combine two endless sources of joy, animals and food. I have created the Entertainment known as ANIBBLES.
Behold, for I have amassed an army of Anibbles.
This army can do your bidding. They can do everything for you. Easy peasy Lemole squeezy. The Anibbles can set you free and entertain everyone in the process.
Join me and we will rule the attention economy!
(Thank you in advance for your cooperation).
Statement
			A sense of knowing 'you don’t have to take it seriously' is something I reflect upon with earnest intent. What is generated when we take typically inane things seriously and vice versa? This is the question running throughout my work.
I work under the alter-ego Rhubarcode by reason of 'why not', which has further altered into the gimmick (i.e. the alter-ego used in Pro-Wrestling) Rhubario. Rhubario’s purpose is to announce Anibbles using the ultimate strength of voice and body. Rhubario also flexes the mind, using Anibbles to dismantle logic via linguistics.
Rhubario wrestles with concepts informed by: parafiction and postmodern literature, which was delivered to her via visitation by Mr Sparkle from the popular American anime series, The Simpsons.
All ideas become gimmicks, which Rhubario has fully embodied. As the self-proclaimed champion of gimmicks and protector of Anibbles, Rhubario declares, 'Re-cognise yourself in Anibbles!'
ANIBBLES
Medium: Animation
Size: 00:09:14
HILLS TO DIE ON
“You take the boring pill, the story ends, you wake up in your bed and believe whatever you want to believe. You take the mole pill, you stay in the underworld, and I show you how deep the mole hole goes.” Molepheus from the Mortrix.
Consider the mole. Is it friend or foe? If you chose foe, then know your battle with moles is futile; for if you destroy a molehill, another one will inevitably pop up. Must we condemn ourselves to this eternal game of whack-a-mole? In our temporary existence, we trip over molehills because we evade sitting with our own mortality.
If we inspect, we will see that these forts designate passageways to the underworld, inhabited by the blind and burrowing undertakers.
Medium: Zine
Size: A5
New Rendevouz St
New Rendesvouz St
At SXSW with RCA New Rendezvous Street
https://newart.city/show/welcome-to-new-rendezvous-st
New Rendezvous Street: An Archeology of the Future, UK House
Through the course of UK House’s opening, we invite attendees of SXSW to join us as we build and populate a digital environment that is entirely new, immersive, inventive and inclusive. A digital world will emerge, grow and evolve throughout the course of SXSW, transcending time zones and geographies.
Featuring work from staff & students at RCA including (instagram handles) @benbranagan @rhubarcode @yuancao_dodo_works_ , @yuqiang_ch @xanlefee @junyijacky @shanhuang.hs @eleni.ikon @oo0untitled_egg @whosaidsoda @yupan2030 @pppunko @sundachun @oskieblu
Medium: Interactive world