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Print (MA)

Zongyao Liu

Zongyao Liu was born and raised in China and currently lives and works in London and Beijing. She graduated from BA Print (2017) at the Central Academy of Fine Arts and is currently completing her MA Print (2022) at the Royal College of Art. 

Her work explores the limitations and inherent biases of viewing systems by appropriating and reprocessing ubiquitous images. Make the viewer think about how to re-examine everything we take for granted.

Three works on the wall


I have shown keen interest in “seeing”. How do we look at a painting as an image and how do we look at a painting as an object? in my works, I often use the means of appropriation to discuss the concept of painting in art history, image representation, and communication, and how to judge paintings in particular, through the electronic platform. I hope that my works can enable the audience to reflect on how media images based on digital media shape our perception of this world and ourselves.

At the same time, I also try to experiment with forms, materials, and colors. With the concept of "color" and repeatability as the core, I explore and reflect on the possibility of material media itself.

Three paintings made up of digital photographs
There will be songFor this work I have created three paintings from Stanley Whitney's exhibition at the Gagosian Gallery in London, 'The Wildness of Blue', 'Marina's Garden’, and 'Walking and Wondering'. When I look at the digital images on my phone, which may have no real meaning, through the perspective of painting, they are individual blocks of color that can be placed anywhere. I am interested in the contrast between this original artwork and the aesthetic experience the viewer has with the finished product.

Medium:

Digital print on canvas

Size:

60cmx60cm
I used the artist's paintings to make cloth over the classical frame
Painting mask—Damien HirstThe patterns of some fabrics were based on the works of past artists or imitated their artistic style, and then the fabrics would be used in daily life, such as tablecloths, curtains, and quilt covers. They circulated in the commodity market, separated from the concept of "artworks", and turned into material for people's decoration. This perspective reminded me of the functional attributes of artworks. And I hung them on the wall just like hanging a painting, thus broadening the presentation of painting.
I used the artist's paintings to make cloth over the classical frame
Painting mask—Mondrian

Medium:

Sewing 、found fabric、frame

Size:

66x86x3cm
i scraped the paper with diluted acrylic paint
Let them all materializeThe work Let them all materialize is an ongoing reflection on the materiality of color. How colors interact, how textures relate to each other, how transparency works, and how viewers feel when they look at the work. This is achieved by the dilution of acrylic color and the repeated scraping motion.

Medium:

Acrylic on paper

Size:

30x38cm
Artist book
Artist bookHand-bound publication

Medium:

Acrylic on paper

Size:

10cmx15cm
 I drew a series of miniature (3.5x3.5cm, 3.5x2.5cm) color field paintings.
#Ins Color Field PaintingNowadays, while broadening people's vision, electronic communication channels are disintegrating the relationship between the sublimity of the original dimension and the viewing experience. As a result, with a strong interest in the concept of "viewing" in the contemporary era, I chose to "appropriate" and reinterpret the works of Mark Rothko and Barnet Newman in the project of #Ins Color Field Painting.

Medium:

Acrylic on canvas

Size:

3.5x2.5cm
A series of blue drawings i made with screen prints
Memories' Shape

Medium:

Screen print on paper

Size:

35x35cm