Yasmeen Fathima Thantrey
About
Yasmeen Fathima Thantrey (b.1996) is an artist, writer and researcher from Nottingham, based in London. Their practice explores South Asian diaspora and the intersections of identity through the lens of a Brown woman.
MA Contemporary Art Practice (Public Sphere), Royal College of Art, 2023
BA (Hons) Fine Art Sculpture, University of the Arts London, Camberwell College of Arts, 2020
Leverhulme Scholarship, RCA, 2021-2023
Cedric Morris Foundation Travel Award, UAL, 2020
Campaigns Officer, Arts Students' Union, 2020-2021
Statement
Yasmeen Fathima Thantrey (she/her/they) is an artist living and working in London. Currently completing her MA in Contemporary Art Practice (Public Sphere) at the Royal College of Art, her practice explores diaspora, identity, and barriers she has encountered growing up in the UK. Feminist issues such as body hair and diet culture are also challenged through the eyes of a Brown woman. Their work is interdisciplinary, often using mediums that feel appropriate to the topics she is exploring. This ranges from photography, text, performance and film, to installations and soft sculptures.
"Often I feel huge tension between the intersections of my identity, rarely finding spaces that can nurture me as a whole. I try to explore these tensions within my practice, aiming to find the sweet spot that can give voice my experiences with disability, class, gender/queerness, and race as a Pakistani Punjabi woman. Communities and socially engaged practices play a big role in creating works that can speak to a shared experience."
Thantrey’s work has a strong collaborative element, as the issues she takes on are socio-political, and therefore, community is extremely significant for the work she produces. This makes her work fall somewhere within the art activism and performance intersection, as audience response and gaze is crucial to the narrative. She aims to play and dismantle power structures through humorous loaded work, that purposefully interrupts a white cube and institutional environment.
Their work thrives within social media spaces, to generate discourse and open safe spaces for discussion. Often looking back to early 2010's toxic internet culture as a catalyst for internal biases, reclaiming social media in this way acts as a healing process to be shared with others in the generation.
Photograph- @joelindsayphoto
gōlī'āṁ khā la'ī'āṁ hana? (u taken ur tablets?) (2023)
Medium: Printed polysatin, moving image
Size: 10mx0.5m
Text
Ammi (2022)
When I was a child I loved being in the room with my mother as she completed her night-time routine. This won’t be a telling of a glamorous exotic woman who brushes her long silky hair one hundred strokes or bathes her locks and skin in aromatic nourishing oils. This is a lightly tanned Brown woman, with thinning, bobbed coils, and sagging breasts. Rough spikes and cheap razor burnt legs, and modest pyjamas. This is the embodiment of a working-class woman through the lens of a Brown girl.
My mum would unsuccessfully try to shrink herself, hiding the folds of her stomach with her work clothes from the day. I would lunge forward from my parent’s bed, desperate to trace the purple-red dents around her back and shoulders with my fingers. When I close my eyes now, I can feel the warm soft sensation of our skin touching. The hair on her torso is fine and almost unnoticeable when I compare it to my own.
As my own body ages, I witness it transition through healing and recovery. My collar bones and ribs have sunken back into their body, and my inner thighs find comfort in their touching. My own softness has begun to resemble that of my mother’s. Nutrition once again brings curls to my hair and folds to my stomach. I adorn my body in colour and serotonin inducing fabrics, that remind me of mothballs in the cupboards and suitcases of silk. Nani’s gold hoops and bangles rest on my skin as they once did hers, and I run oil through my hair as she once did for my mother.
Sometimes Mum fights with me, says I need to live within my means, live modestly. I resemble a magpie drawn to the vibrant, loud, maximalist things that glisten in the light. We are very different. At twenty five had to provide a stable household. A balanced world between traditional South Asian house wife, and modern working woman. I like to believe she had a choice to have that life, but I know that the world had already set a course for her to take.
My very own, South Asian, working class hero.
Homesick on Eid (2023)
I’m homesick
In a flat with my dogs
And my lover
But the smell from the kitchen
That wrestles with the extractor fan
And floats down the street
Does not smell like home to me
I want to wake up in the morning to sweet desserts and spices tickling the hairs in my nostril
The doorbell to ring once or twice and it not be a delivery from an order I forgot I made
A morning kiss and cuddle could never compete
With a tight embrace over the shoulder one two three
Tea and coffee rounds after every meal and in between
Uncle and dad coming home after their namaz
And we hug one two three
And we feast
Scraping the last grains of rice that try to stay on the plate into our mouths
Fingers running along the inside of the bowl to get every last drop
This morning I don’t even get a text
I don’t know if it’s today or tomorrow
Waking late to a meeting on the sofa
My thighs fused with the plasticy cover beneath them
I eat hash browns and bbq sauce while watching strangers travel the world
And I cancel plans to fall into a habit I’ve spent years breaking
Climbing into an empty bed with my screen rotating through clips of strangers
To make me howl with 15 second laughter
And swipe
Swipe
Swipe
My mood swings to the far end of the spectrum
I want wetness to fill my eyes
But instead I frown
Thinking it’s my flakiness or ruined plans
But I’m just homesick on Eid
Market Value (2023)
Maybe Derby’s not so bad
A room in Lewisham for a grand a month
I’m sat in a blue box
2.5 beds
1 bath
Garden.
Buildings growing taller around
but I stay small
low to the ground
leaky window
1.35
under market value
I’m waiting for this email to come
for that one to become a two
Market value
market value of a blue box
social housing
buy it back
private social housing
if you take the poor person out of the social housing does it become luxury?
US embassy
swimming pool
tube station
Clapham Common
market value
I’m having a crisis
who’s got a grand to spent on a bedroom anyway?
If the housing association are increasing rent I’ve got no hope with the private private housing
I’m in the private social housing
the private social blue box housing
the knock down the furniture shop to build luxury social housing housing
It’s still a council estate
with private social housing
and young professionals from home counties
who’ve got a grand to spend on a room so anyway
the private social housing would rather they live here
than aunty and uncle next-door
and Kim the cat lady
I’m in the middle
with my private social housing
under market value
working class but my parents own their home now
upper working class? lower middle class?
but I don’t have a grand to spend on a room
so when that one becomes a two I’m really
screwed
screwed because I have things in every room
screwed because I’ve become comfortable in a housing crisis
I missed the first wave that knocked my friends back to their parent’s
I’ve settled in a temporary blue box that’s heading the same way as the furniture shop
but in the mean time they want to squeeze as much profit from this poor
blue box
and that means
market value
and luxury housing.
Maybe Nottingham would be okay…
Medium: Text, Spoken word
KEBABY (2022)
Medium: digitally edited photograph