Ruqian Wang
About
Ruqian wang (b.1999) was born in China. Ruqian graduated from the University of the Arts London with a first class degree in textiles.
Ruqian's work as a knitting artist crosses textiles and painting. She has a fascination for handicraft and painting, the tactile experience of making and the physicality of the act of painting give her a powerful intuitive creativity and emotional expression, and she is constantly exploring ways to combine knitting and painting, the intention is to create a unique emotional connection between personal thoughts, feelings and works.
In her work, she always emphasizes the creativity of the hand and the touch and perception of the world, believing that the human experience is always the most important, regardless of technological advances.
Award/ Article report
- 2022/Xinao Knitting Emerging Designer Competition/Excellence Award
- 2022/knitting industry creative/Knitwear&Knitted Textiles GraduateReview 2022:7 New talents to watch
Statement
Blurred Reality
Manual interaction with knitting machines is the technical thrust of the project, transforming and combining both hand and machine knitting. The project develops the potential of more textiles while emphasizing the creativity of the hand. In collaboration with materials and processes, the project explores the possibilities of combining painting and knitting through experimentation with different materials.
Out of curiosity about blurred things, rainy streets, views out of windows, photographic mistakes....opens up a state of exception from the everyday and.Putting a veil of mystery over everyday life scenes It allows each viewer to become a detective, hoping to discover decisive signs and provide imagination in it.
The purpose of the project is to create a hazy, ambiguous atmosphere through the use of a large number of furry materials, and through the combination of craft and painting the viewer is expected to view everyday scenes from different perspectives and make associations.
The project is still in the process of deepening its exploration, from more abstract scenes to concrete objects, placing the viewer in a private space and expecting the viewer to reflect on the feelings brought about by familiar objects and scenes.