A meditation on themes of liminality, concerned with the relationship between painting and technology, this current body of work is an exploration of the simulacrum. The adoption of a.i. imagery aims to blur and destabilise the already tenuous relationship between original and copy, prompting a reassessment of our understanding of authenticity in an age of ubiquitous digital reproduction.
Through the use of paint on canvas, these works become a dissection of the human form through the eye of technology, the sometimes fractured and misunderstood figures manifest both the misalignment and harmony between human and machine, inviting us into a space between the analogue and the digital.
