Olivia England

The use of craft is a pivotal component to the stories being told. Not only have images been sourced from collected family objects, but now they perform as a glimpse of the cherished. Ready-made patterns of knitted and embroidered works by my Grandma have been extracted and weaved into the final imagery used for my sculptural installation. These floral designs can be found on a cherished jumper, knit blanket or doily. In their reconfiguration, we can consider how such objects can immortalise the everyday. 

In my practice I explore the use of wood and metalwork. As male-dominated materials and craft practices, they have often served as functional and ‘meaningful’ trades within society. In contrast, women’s craft has historically been noted as a form of private making, to be tucked away, created and kept within the home. However, here – through the use of sculpture – these two worlds of making can now collide, staging the dualities between both worlds. Fractured snapshots of quiet recollections, an observation on the tender items women keep and make. 

The use of ‘hard’ materials presents tender sentiments of the hyper feminine, exploring the gender bias still prevailing in today’s creative industries. But now, laid before us, negatively - charged ideas of the private and domestic weave themselves into the arts conversation; these questions, ponderings, cherished and loved memories are now offered on a pedestal, a shrine for the unworthy.