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Ceramics & Glass (MA)

Jihyun Kim

Jihyun Kim is a South Korean ceramic designer who produces exquisitely crafted ceramic pieces. Her creative process involves experimenting with various colours and textures using slip-casting techniques and innovative glazes.

Jihyun holds a BA in Arts and Crafts, with an Academic Excellence Award, and a degree in Visual Media Design, both from Sookmyung Women's University in South Korea. She is currently pursuing a MA in Ceramics & Glass at the Royal College of Art.

Jihyun has gained significant recognition for her work and has exhibited her pieces in notable international exhibitions, including the Milan Design Week, Clerkenwell Design Week, and the Seoul Hand-made Fair. She also won Franz Rising Star Scholarship. 


An image of Jihyun Kim.

Jihyun's series of works is a testament to her deeply rooted cultural heritage and her fascination with the mystical properties of the natural world.

Jihyun delves into the intersection of sculptural form and functional design in her ceramic creations. Her artistic pursuits involve a continuous exploration of the aesthetic and organic forms found in nature, which often feature magical and mystical narratives, including that of fungi.

Jihyun’s work showcases her keen attention to detail, ability to seamlessly meld artistic form with practical function, and knack for incorporating fantastical elements into her designs. By integrating sculptural elements into everyday objects, Jihyun hopes to invite her audience to encounter the boundary between magic and the everyday in their lives, encouraging them to explore the mystical elements that exist all around us. Her skilful blending of tradition and imagination, coupled with her exceptional artistry, has produced a body of work that is as captivating as it is inspiring.


She is currently working on a project named, <Mystical Sanctuary>.

She incorporates elements of organic natural forms such as mushrooms, mystery, magic, superstition, and fairy tales to bring a sense of joy to those who view her work. By utilizing these themes, she aims to create a sense of fluidity and movement within her pieces, inviting the viewer to the borderline of magic and reality within our daily lives.



An image of three pieces of 'Salty Fairy Ring'
Walking pass the Salty Fairy Ring (Strawberry, Choco, Mint)Photography by Nadia Magda Abatorab-Manikowska
An image of 'Salty Fairy Ring (Cherry)'
Salty Fairy Ring (Cherry)
An image of 'Salty Fairy Ring (Banana)'
Salty Fairy Ring (Banana)
An image of 'Salty Fairy Ring (Tangerine)'
Salty Fairy Ring (Tangerine)
An image of 'Salty Fairy Ring (Neon)'
Salty Fairy Ring (Neon)
An image of 'Salty Fairy Ring (Strawberry)'
Salty Fairy Ring (Strawberry)
An image of 'Salty Fairy Ring (Beige)'
Salty Fairy Ring (Beige)
An image of 'Salty Fairy Ring (Mint, Leaf, Choco)'
Salty Fairy Ring (Mint, Leaf, Choco)
An image of Salty Fairy Ring in Milan Design Week
Salty Fairy Ring in Milan Design Week
Collaboration photoshoot of Salty Fairy Ring (Cloud)
Collaboration photoshoot of Salty Fairy Ring (Cloud)Collaboration fashion photoshoot with Ece Nil Özberk. Photography by Mattia Maestri.
An image of Salty Fairy Rings(Choco, Strawberry, Mint, Leaf, Mustard) in WIP show
Salty Fairy Rings(Choco, Strawberry, Mint, Leaf, Mustard) in WIP show

About the series

This body of series was inspired by Jihyun's grandmother's ritual of placing a small ceramic jar filled with salt near the entrance of their South Korean home. This jar was believed to prevent negative energy and evil spirits from entering the household, and it is a widely held belief and superstition in South Korea.

Jihyun merged this tradition with the enchanting properties of fairy rings, which are circular formations of mushrooms that have been interpreted in various ways throughout history. Drawing inspiration from these two sources, Jihyun created a series of salt containers, aptly named 'Salty Fairy Ring' which embody a sense of wonder and magic.

Medium:

Porcelain, High-fired colour stain, Gloop glaze

Size:

170x120x120mm
An image of Fingernail Fungi (Flesh)
Cutting fingernail in Fingernail Fungi (Flesh)
An image of Fingernail Fungi (Red)
Fingernail Fungi (Red)
An image of Fingernail Fungi (Beige)
Fingernail Fungi (Beige)
An image of Fingernail Fungi (Red) with the lid coming off
An image of Fingernail Fungi (Flesh) with the lid coming off
Collaboration photo shoot of Fingernail Fungi (Cloud)
Collaboration photo shoot of Fingernail Fungi (Cloud)Collaboration fashion photoshoot with Ece Nil Özberk. Photography by Mattia Maestri.
An image of opening Fingernail Fungi (Red)
An image of cutting fingernail in Fingernail Fungi (Red)

About the series

The inspiration for 'Fingernail Fungi' came from Korean folklore about fingernails and the mouse. Jihyun's grandmother always told her not to cut her fingernails in the night because the mouse will eat them and become her.

She incorporated this mystical tale with the poisonous and hand-like appearance of the Red coral fungi. The dangerous properties of the mushroom serve as the driving force behind the artwork, ensuring that the piece not only contains fingernails but also safeguards them from the covetous appetite of mice.


Medium:

Porcelain, High-fired Colour stain, Experimental glazes

Size:

230x150x100mm
An image of Guidance Lichen
Guidance Lichen(Blue)
An image of Guidance Lichen
An image of Guidance Lichen
An image of Guidance Lichen
An image of Guidance Lichen with the light on
Guidance Lichen with the candle inside

About the piece

This is the candle holder that was derived from a Korean traditional ritual for ancestors and the work is named, ‘Guidance Lichen’. The majority of the Korean family does a ritual every year to thank luck and wish happiness for their ancestors and invite their spirits to the house and serve them food. The smoke of the candle acts as a navigator for the ancestor to find the house and Jihyun incorporated the story with the healing property and important ecological symbiotic role of lichen.



Medium:

Porcelain, High-fired Colour stain, Gloop glaze

Size:

180x180x150mm
Sketches of the project

Franz Rising Star Scholarship