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Writing (MA)

Aya Al-Thani

Aya is an Arab/Muslim writer and artist based in London. Before studying at the Royal College of Art, she graduated with a First Class Hons. BFA from Chelsea College of Art & Design, University of the Arts London. Her body of work comprises nonfiction, fiction, 'semi-fiction', 'fictional nonfiction', poetry, and short stories.

Aya's work has been featured in group exhibitions and publications, such as St. Paul's Chelsea in the summer of 2022 where her poem Women's Shoes was exhibited. She is interested in wretched women, Arabian folklore, horror and humour and her work tends to feature at least two of the four. As of 2023, she has had two concussions and one broken bone but says not to worry, the night is still young.



Degree Details

School of Arts & HumanitiesWriting (MA)RCA2023 at Battersea and Kensington

RCA Battersea, Studio Building, First floor

A hand holding up a residency permit. The image is cropped so only the ID photo, depicting a woman in a headscarf, is showing.

I am mesmerised by retractable claws and videos of women pummeling each other in parking lots. I don't believe in ghosts and I am not receptive to the idea of a ghost proving me wrong. I love gothic horror, pro wrestling and waiting room coffee machines. I would eat anything once. I think about all of that when I write.

And lately, I think about how Anne Carson wrote, 'My mother forbad us from walking backwards. That is how the dead walk, she would say.' And how the only thing that could be worse than losing someone is if they were to actually come back from the dead. I think about how most writers die before we kill someone, but not all, and how humans have such round teeth.

And perhaps that is for a reason, we weren't meant to chew that which is not for us to chew. Then I think about how the original sin wasn't eating the apple but the fact that Eve used her teeth - made so harmless by God, defanged by design — to bite something she shouldn't have, so maybe we would have been condemned either way, had she swallowed or not.

A row of books: Sylvia Plath's Ariel, Autobiography of Red, After Sappho, and The Penelopiad.
Literary references
A collage of research references.
Visual research.
A screenshot of two paragraphs of the FMP.
Excerpt from FMP

Actually, She Spat it Out

Actually, She Spat it Out is an experimental biography/novella about the life of Islamic figure Hind bint Utbah, also known as Hind The Liver Eater. At the juncture of fiction and non-fiction, and told in a series of vignettes, this work is part research and part ghost story. Through the combination of elements of meta-fiction and biographical detail, the text is a commentary on genre and the act of biographical writing itself whilst telling the grisly life story of a seventh-century Meccan warrior princess.

Medium:

Final Major Project
Page 1 of the self-published pamphlet, Catfight Club.
Page 1.
Pages 2-3 of the self-published pamphlet, Catfight Club.
Pages 2 -3.
Pages 4-5 of the self-published pamphlet, Catfight Club.
Pages 4-5.
Pages 6-7 of the self-published pamphlet, Catfight Club.
Pages 6-7.
Pages 8-9 of the self-published pamphlet, Catfight Club.
Pages 8-9.
Pages 10-11 of the self-published pamphlet, Catfight Club.
Pages 10-11.
Pages 12-13 of the self-published pamphlet, Catfight Club.
Pages 12-13.
Pages 14-15 of the self-published pamphlet, Catfight Club.
Pages 14-15.
Pages 16-17 of the self-published pamphlet, Catfight Club.
Pages 16-17.
Pages 18-19 of the self-published pamphlet, Catfight Club.
Pages 18-19.
Pages 20-21 of the self-published pamphlet, Catfight Club.
Pages 20-21.
Pages 22-23 of the self-published pamphlet, Catfight Club.
Pages 22-23.
Pages 24-25 of the self-published pamphlet, Catfight Club.
Pages 24-25.
Pages 26-27 of the self-published pamphlet, Catfight Club.
Pages 26-27.
Pages 28-29 of the self-published pamphlet, Catfight Club.
Pages 28-29.
Page 30 of the self-published pamphlet, Catfight Club.
Page 30.

Medium:

Pamphlet

How To Be One Third

How To Be One Third is a short story featured in the RCA MA Writing group publication Extending Family, featuring an introduction by Olivia Laing, and published in association with The Foundling Museum in response to their exhibition Finding Family. It is in the form of a set of instructions addressed to the older sister of twin girls.

Pages 1-2 of How To Be One Third.
Pages 1-2 of How To Be One Third.
Pages 3-4 of How To Be One Third.
Pages 3-4 of How To Be One Third.

Medium:

Text