Aliya Orr, (b.1986) currently lives and works between London and Montreal/Tiohtià:ke. Her artistic practice moves between sculpture, installation, performance and drawing. After completing her BA in Art and Design in Cape Town, South Africa, she moved to Canada and worked professionally in the multimedia and entertainment industry on projects including LAX Airport, Madonnas Super Bowl and the Sagrada Famillia. Returning to her studio practice, she worked collaboratively under the moniker Light Society with a focus on installation and public art. She moved to the UK to complete an MA in Sculpture at the Royal College of Art in 2021. Her work has been exhibited internationally. Including the Museum Of Singapore, Arsenal Contemporary Montreal and Hyundai Motor Studio Seoul.
Aliya Orr
Working across scales of media - from the intimate to the architectural. I am interested in methods of spectacle and ritual and how they are enacted within daily encounters. Allowing moments of potential cosmological belonging to take place.
I think about sculpture in terms of atmosphere, where space is activated through the coming together of forces; materials, bodies, gazes, hormones etc. These interwoven performative narratives travel through time and space. Hanging in the balance.
My work incorporates live media such as wind, vibration, sound and light both from human and non-human sources. The dynamics between the material and immaterial are explored, constructed and played out in various mediums allowing for degrees of opacity, chance and the unfathomable.
In this way, the unknown is a continuous force in my work. Faith and its reliance on uncertainty becomes active methodological principles.
Growing up within the Islamic faith and outsider Sufi communities across various geographies, allows me to draw and explore a fluidity of cultural and religious imaginations.
All this is set against a personal negotiation of my own freedoms. The conflicts and contradictions that arise in living between different spaces and belief systems. This allows for an exploration of constructing identities and emotional passages through processes of belonging, longing and home beyond physical realms.