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Jewellery & Metal (MA)

Yizhi Zhang

This project was inspired by the film Farewell My Concubine, a film that particularly reflects the influence of history and war on Chinese art and the impermanence of life, so the theme of my work is impermanence, also known as the philosophical problem of change, Chinese culture is also deeply influenced by this concept and Buddhism, so I want to reflect impermanence through the experience of Chinese cultural relics.

I researched the history and found that Chinese artefacts have been lost over half a century as China has gone through wars and many crafts and medical techniques have been lost, these artefacts have been smashed and burnt and sent around the world. I wanted to recreate what happened to them to show the immensity of the changes and disasters brought by history, as a way of showing the impermanent view of life.

 I delved into the history of Chinese traditional crafts and jewelry, and made an interesting and peculiar discovery. Nowadays, most Chinese people opt to wear Western-style wedding clothes with diamond rings, and forgot the traditional red wedding dress that has been a symbol of engagement in Chinese culture for thousands years.As it turns out, the tradition comes from Catholicism, which most Chinese people do not have such religious beliefs. Furthermore, white is actually a color commonly associated with funerals in Chinese culture, yet they continue to view the dress as a beautiful garment and a symbol of modern marriage. I support multiculturalism, but when 90% of the Chinese population blindly follows foreign cultural practices, it becomes a cause for concern.

I soon discovered that this phenomenon is prevalent around the world. Even in Western countries, Many people are unaware of the reason behind wearing a wedding dress. The white wedding dress traditionally symbolizes purity in Catholicism, which clashes with modern societal values and personal beliefs. Moreover, there are other social phenomena that share a similar situation, such as the pursuit of diamond rings, and the obsessive use of social media platforms such as TikTok and Instagram, which hinder independent thinking, subjective awareness, and cultural identity. 

Therefore, I make a series of pieces that utilize traditional Chinese elements and techniques to create modern items. These pieces will be created using blue and white porcelain, Diancui and jade carving respectively, and will highlight the contrast between the past and present.

Degree Details

School of Arts & HumanitiesJewellery & Metal (MA)RCA2023 at Battersea and Kensington

RCA Battersea, Woo Building, First and third floors

Bikinis made by Diancui craft,Top

Impermanence, also known as the philosophical problem of change, In Eastern philosophy it is notable for its role in the Buddhist three marks of existence.My project aims to reflect this impermanence in Buddhism through the lens of Chinese cultural relics, focusing on the historical events that led to the greatest loss of Chinese cultural artifacts over the past century. These events have resulted in the loss of many crafts, medical skills, and cultures, and my aim is to recreate their encounters to reflect the profound changes and disasters brought about by history. Through my works, I aim to encourage critical thinking and reflection on the importance of preserving traditional culture and questioning societal trends and norms, particularly in an era where social media can often limit our ability to think independently.

Jade ring
I want to carve a diamond ring shape out of jade. This idea was inspired by the changes in wedding traditions from the past to the present. Rings are not solely a Western tradition; ancient China also had this custom, but our rings were made of jade.
Jade ring
Nowadays, it's rare to see Chinese people wearing jade wedding rings, as they have been replaced by diamond rings, much like the Catholic wedding dress. Through this piece, I hope to show the impact of cultural globalization on personal cultural identity, I think the current state of our information-saturated society, which can stifle our individuality and independent thinking.
Jade ring
Jade ring

Medium:

Resin

Size:

2.5cm-4cm
Contemporary jewelry, blue and white porcelain
Blue and white porcelain wine bottle
Contemporary jewelry, blue and white porcelain
I create a wine glass using ceramics. Wine glasses are from Western culture and are commonly used in modern society. On the other hand, blue and white porcelain is one of the most iconic crafts in China. I want to merge the two by showcasing cultural changes and integration, as well as offering an intuitive comparison between the past and present, all to reflect the impermanence of culture.
Contemporary jewelry
Contemporary jewelry, blue and white porcelain
Contemporary jewelry, blue and white porcelain
Imitation of ancient paintings
In order to more intuitively reflect the changes brought about by cultural globalization, I imitated the ancient paintings of the Tang Dynasty and imagined the scene of the ancients drinking red wine.
DianCui bikini
I wanted to make a traditional Chinese intangible cultural heritage jewellery technique: Dian Cui, a technique of making jewellery with feathers, which is a fragile material, so you can imagine how many pieces of ancient jewellery were burnt in the war and then disappeared from view.
DianCui bikini
This piece is a bikini made with the traditional Chinese art of Diancui, which in ancient times was often used to make hairpins and other accessories. When comparing past and modern-day wearables, I found that the bikini is the most suitable item for showcasing cultural conflicts and evolutions. In ancient Chinese culture, women were not allowed to wear such revealing clothing in public, but nowadays only a few Chinese people still can’t accepting bikini.
DianCui bikini
Underwear details
DianCui bikini
Top details
Imitation of ancient paintings
In order to more intuitively reflect the development and changes of culture. I imitated the ancient paintings of the Tang Dynasty and imagined that the ancients wore bikinis. In ancient China, this scene was almost impossible to exist.