Skip to main content
Ceramics & Glass (MA)

Shengya Gao

Shengya Gao is a versatile artist with a nomadic spirit, who is constantly exploring the intersection of art and design. She has a BA in Industrial Design from XJTLU (Xi'an Jiaotong-Liverpool University) and the University of Liverpool in 2021; she furthered her artistic journey by studying ceramics in Jingdezhen. She is studying for an MA in Ceramics and Glass at the Royal College of Art. Inspired by her interdisciplinary education and diverse life experiences, Shengya creates captivating works that combine functionality, aesthetics, and conceptual depth.


Degree Details

School of Arts & HumanitiesCeramics & Glass (MA)RCA2023 at Battersea and Kensington

RCA Battersea, Woo Building, First and third floors

working image

As an artist, I am constantly inspired by the natural world and its unique textures and patterns. My current practice was inspired by a trip to the white chalk cliffs near Dover, in the south of England, where I was struck by the incredible cross-sections of the earth's strata that were visible there. This experience sparked a fascination for these forms, and I started exploring the connections between the geological strata and the Japanese nerikomi technique (which involves stacking and slicing coloured clay to create cross-section patterns).


In my work, I seek to capture the essence of these textures and patterns and translate them into something tangible that people can incorporate into their everyday lives. My medium of choice is clay, which I can stack, squeeze, bend, and shape to create dynamic cross-sections that reflect the human formation and transformation of strata. The process and results of my creative practice are unpredictable and infinite, and I am constantly experimenting with different ways of creating visually stunning and functional patterns.


Ultimately, my goal as an artist is to bring the elements from natural landscapes into people's everyday lives. Each piece I make reflects the unique landscapes that have inspired me in my nomadic life. I believe that by incorporating these textures and patterns into simple utensils and objects, we can create a deeper connection with the world around us and gain a greater appreciation for the beauty of nature.


book
Launch Project
My practice started with a trip to the White Cliffs in South England. The unique landscape there appears to be a cross-section of the earth's strata and displays the creation of nature. Some of the stones I brought back from there became a source of inspiration for me to begin my geology research. I linked the micro-structure of the ore, the strata, and the nerikomi technique, as I found they all shared a similar texture...

Ore textures under the microscope

https://youtu.be/xO-xiiBRB9s


Medium:

Book; Vedio

Size:

148×210mm; 37sec
working
The clay is stacked, squeezed, bent, and developed dynamic cross-sections. These processes are like the formation of strata and the transformation of strata by humans. I experiment with different ways of creating patterns, the results of which are unpredictable and infinite.
throwing
Overall
Details
Details
Details
Overall
Overall

The process of creating ceramic vessels represents the process of geological formation:

Powdered stain brushed onto the surface of the clay

A light, mist-like layer formed

Unstable and changeable


Blending the stain and clay

White clay takes on a distinctive colour and texture

Different colours of clay stacked on top of each other,

like the deposition of different substances in the earth's strata


The wheel turns,

planet movement

Layers flowing with the direction of the force

Unknown texture will be the planet's archive


Ores, from the strata

With an infinite variety of patterns

Shrunken, jagged dots

Metallic, iridescent luster

Oceanic, gritty……


The vessel is a cross-section of the strata

Medium:

Earthenware, stain, glaze, lustre

Size:

Each 10×10×15mm
Details
Overall
Details
Overall

Medium:

Earthenware, stain, glaze, lustre

Size:

Each 10×10×15mm
Overall
Details

Medium:

Porcelain, stain, glaze

Size:

Each 10×10×15mm
Overall
Details

Medium:

Earthenware, stain

Size:

10×10×30mm; 10×10×10mm
Overall
Details
Overall
Overall
Details
Details

Medium:

Earthenware, stain, glaze, lustre

Size:

20×20×25mm; 30×30×30mm; 20×20×40mm
cup
cup
cup
cup

Medium:

Porcelain; earthenware, stain, glaze