Nina Fisher

Nina Fisher featured image

About

Nina Fisher (b.2000) is a multimedia artist and designer from Milan. Nina began her fine art education in Italy, studying Modern art history and practising figure drawing. In 2018, dissatisfied by the overly classical, almost stagnant approach of the Italian art school, she moved to the UK to study Illustration at the University of Brighton. Her undergraduate studies focused on expanding the practice of illustration through experimental play and multimedia approaches. Whilst at Brighton, Nina built a portfolio of oneiric imagery inspired by re-developed childhood memories and dreamscapes. After a one year break from academia, she enrolled in postgraduate studies at the RCA with the intention of further opening her practice which she felt had reached a point of stasis. 

In this past year, Nina has been investigating methods of image deterioration, partly driven by a desire to lose a degree of agency which the unpredictable qualities of organic decay allow for. 

Education

2022-2023 Ma Visual Communication, Royal College of Art

2019-2021 Ba(Hons) Visual Communication (Illustration), University of Brighton

Recognition

2021 Platform Graduate Award, Shortlisted

2021 Matchbox Film Awards, Animator Award

2021 Toronto Indie Short Film Festival, Finalist

Selected Exhibitions

2022 Royal Society of British Artists Annual Showcase, Mall Galleries, London

2021 MISC, Hoxton Arches, London

Statement

Nina’s practice places its lenses on autobiographical memories, narrative grief and family archives. Rarely striding away from what is deeply personal, intimate and slightly cryptic, she uses her work as a way to open a space for vulnerability and mutual solace. The sudden loss of a close family member, coupled with the development of a certain thanatophobia, led Nina to work around loss and bereavement processing, resulting in a quiet protest against the taboos that surround talk around death. Nina is fascinated by harmonies of opposites: objects as emotional triggers, decomposition as recomposition, organic and inorganic materials, permanent and mutable. This fascination translates into the mediums that get chosen: rudimentary photographic transfers, organic deterioration, resin casting and archival exploration. The work that emerges is characterised by a suspended yet ephemeral quality where ghostly images, often corroded by mould or fungi, silently remind us of our transitory state while celebrating the beauty of the ever changing.  

To Decompose, To Recompose, To Relive: fostering (un)interrupted bonds through creative practice

Medium: Mixed Media

Size: 21x29.7cm - 60x40cm

Drawer Contents

Medium: Found objects, resin