Skip to main content
Writing (MA)

Mariam Abdel-Razek

Mariam Abdel-Razek is a British-Egyptian writer and critic based in London. She is excited and fascinated by many and varied things, including but not limited to the acts of eating and drinking, jazz music, etymology, cassette tapes, video games, and the fascimiles of Emily Dickinson. She cares about ephemera, the daily rhythms of life like going to the bagel shop and ordering the same coffee from the man by her tube station, and writing work that is funny and interesting.

Mariam has recently been published in Eaten, Varsity, and in association with the Foundling Museum, London. Her writing for the stage has been performed in London's off-West End, Cambridge, and Edinburgh, and in 2020 she won the John Kinsella and Tracy Ryan Poetry Prize. Prior to studying at the Royal College of Art, Mariam graduated with a First Class Hons. BA in English from the University of Cambridge. There, she was a member of the Cambridge Footlights and mentored by the Man Booker-nominated and Women's Prize-winning author Ali Smith.

Alongside her writing, she also designs and facilitates scripted programmes in the unlikely field of corporate theatre, with clients including Netflix, Deutsche Bank, and Visa. Her first love is drama, and she has worked as a writer and director on theatre access projects across the UK, Europe, India, and Nepal.

Photograph of a hand holding a postcard above a box of more postcards.

I leverage writing as an attempt — often futile — to make sense of the world I exist in; my experience, my body, and my brain, but also the bodies and brains of people around me.

'When I say something,' Franz Kafka wrote in his diaries, 'it immediately and finally loses its importance … when I write it down it loses it too, but sometimes gains a new one.' In my practice, I want to get my hands all over that thing that is lost when we write — as much as I can — and understand what is gained too. Often, I seek to make work that is funny. Always, I want to make it a deliberate and careful action, like double knotting your shoe laces or cleaning a knife.

A practical critic by nature and education, I am obsessed with form and try to create work that places it in dialogue with content in a way that is satisfying and interesting. I write about small and everyday things because they are what make up life, and because they tend to lead me to bigger things.

Mouthfeel is my Independent Research Project, and a first attempt to understand how we try to describe sensations of food and eating, and drink and drinking.

Inspired by the unrealised journals of Italo Calvino, and the online Grocery List collection, Mouthfeel takes the form of a dictionary of real, imagined, known and secret words addressing the acts of eating and drinking. It is a love letter to the eating spots and drinking holes that shape my daily life, to the acts of running late for a dinner party or having to Google something on the menu before the waiter arrives, to forgetting to take the chicken out of the freezer when your mother asks you to.

It questions more than it answers; you shouldn't talk with your mouth full.

Pages 1 and 2 of chapter 'disorder' from Mouthfeel
MOUTHFEEL 01-02 – An extract from 'MOUTHFEEL: disorder'. Subtitle reads '1. the formal dinner' and '2. A CONFESSIONAL LIST OF THINGS I HAVE DONE TO DIS- THE ORDER OF MY KITCHEN'.
pages 3 and 4 of chapter 'disorder' from mouthfeel
MOUTHFEEL 03-04 – An extract from 'MOUTHFEEL: disorder'. Subtitle reads '3. the original sin'.
pages 5 and 6 of chapter 'disorder' from mouthfeel
MOUTHFEEL 05-06 – An extract from 'MOUTHFEEL: disorder'. Subtitle reads '3. the original sin'.
Research Image - A-Z Map of London, section of Crouch End with restaurants highlighted.
Research Image 01 - A-Z Map of London, Highgate, Haringey and Crouch End with restaurants highlighted.
Research Image 2 - A scan of a notebook with post-its.
Research Image 2 - A scan of my notebook with post-its and a shopping list attached.
Research Image 3 - A scan of a notebook.
Research Image 2 - A scan of my notebook with post-its, a shopping list, and a photograph of a man cooking in the street attached.
home/away pamphlet spread 1
home/away pamphlet spread 2
home/away pamphlet spread 3
home/away pamphlet spread 4

home/away

home/away was a pamphlet that I designed and printed in December 2022 at the Royal College of Art. Featuring extracts from my poetry, prose, and non-fiction work, as well as my own film photography, the pamphlet is designed to ruminate on what it means to be at home or away, with one half titled away/home and the other home/away. The first run of pamphlets was printed so that it could be picked up and read beginning with either half.

Medium:

Writing, Photography
Sheet music for song titled Sounds Out of the Dark.
Extract from music notation of a number from The Jazz Section, Sounds Out of the Dark.
Sheet music for song titled Sounds Out of the Dark.
Extract from music notation of a number from The Jazz Section, Sounds Out of the Dark.
Scans from a script of a musical.
Extract from the book of The Jazz Section, Act 1.
Scans from a script of a musical.
Extract from the book of The Jazz Section, Act 1.
Scans from a script of a musical.
Extract from the book of The Jazz Section, Act 1.
Two photographs of a group of people on stage with musical instruments.
Rehearsal photographs from the off West End run of The Jazz Section at the Union Theatre, Southwark, in October 2021.

The Jazz Section

A brand new gig-theatre musical based on the true story of Karel Srp’s and Vladimir Kouril’s jazz revolution, The Jazz Section enjoyed sell-out runs at the Camden Fringe 2021 and Town and Gown Theatre in Cambridge, and an off-West End run at the Union Theatre in London.

Production for Union Theatre run by Ryan J Productions and Rachael Nolan Productions. 

★ ★ ★ ★ ✩ Musical Theatre Review

Medium:

Writing, Sheet Music
Scans from an essay featuring images of a facsimile of Emily Dickinson poetry and shots from a TV show, Dickinson.
Scans from an essay featuring Alena Smith, creator of Dickinson.
Scans from an essay featuring Alena Smith, creator of Dickinson.

Forty Minutes with Alena Smith, and Emily Dickinson

Part interview, part essay, full rumination on poetry and fan culture, Forty Minutes with Alena Smith is a profile of American screenwriter, producer and author Alena Smith, who created the Peabody Award-winning series Dickinson, telling the story of a young Emily Dickinson, for Apple TV+.

Cover of Vol. 17 of EATEN, the food history magazine. Title 'Vegetables'; cover illustration of a bunch of radishes.
Cover for article titled 'On Molokhia', with illustration of hands dipping into a bowl green soup and rice.
Extract from article on the vegetable Molokhia
Extract from article; 'My Mother's Molokhia' recipe

On Molokhia: Food for Farmers and their Immigrant Children

My essay 'On Molokhia', examining the enduring legacy of the vegetable molokhia and why it is virtually unheard of outside of the Middle East, was published in the latest volume of Eaten magazine.

Print copies of Eaten - and this volume - edited by Emelyn Rude, are available here.