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V&A/RCA History of Design (MA)

Ieva Daujotaite

Image: Playing in Anykščiai, 1972 (Unknown Photographer).

Photograph from Ieva Elenbergienės personal archive from Gintarė Kairytė, ‘Vaikų Žaidimo aikštelės 1944-1990m kaip kasdienybės paveldas’ (Vilnius University, 2012)


‘Typical Elements of External Improvement of for the Residential Area of Microdistricts of the City of Leningrad’, 1966

To what extent playgrounds in Soviet Lithuania are cultural icons of Soviet politics?

Throughout my independent research project, I studied the history of Soviet Lithuanian playground design between 1940 – 1990. To most people from Lithuania who were born in the 20th century, the sight of a Soviet playground anywhere in the former USSR region will bring back memories from their own childhood. Thanks to a centralised system of industrial construction, playground design in the Soviet Union was nearly identical across all the former USSR countries. Therefore, by the time the Soviet Union collapsed in 1990, Soviet playground design had become so ubiquitous that in the lived experience of the former USSR generations, playgrounds are intrinsic to the idea of a typical Soviet childhood.

According to a Russian journalist A. Sorokina, Soviet play life was marked by homogeneity and fixity where “kids from Kaliningrad to Vladivostok played nearly identical games, and despite the distances, they shared the same childhood dreams”. As Soviet communism aspired to a vision of a classless society which exists on the basis of common ownership and no competition, the idea of a homogenous childhood across different nations and social classes is symptomatic of an effectively implemented communist regime. Therefore, by arguing that homogenous childhoods were a product of communism, the dissertation investigates how playgrounds, being one of many cultural factors that shapes the experience of childhood, contributed to the production of communism.

To analyse the extent to which playgrounds perpetuated the culture of communism, I examine playgrounds through a theoretical framework of cultural icons. Most notably, my work tries to contextualise the lived experience of changing playground design, by identifying several case studies and giving an insight into the lives of Soviet Lithuanian playground designers, architects, children and women.

Image: ‘Typical Elements of External Improvement for the Residential Area of Microdistricts of the City of Leningrad’, Playground Design Specification Manual,1966.

Globe climbing frame, in front of a prefab panel block from the early 1970s in Karoliniškės (Martyna Sobecka, 2022)
Globe climbing frame, in front of a prefab panel block from the early 1970s in Karoliniškės (Martyna Sobecka, 2022)Photograph from David Navarro and Martyna Sobecka, Soviet Playgrounds (Poznań Poland: Zupagrafika, 2022).
Micro-District Architects-Designers, circa 1970 (L.Ruikas)
Micro-District Architects-Designers, circa 1970 (L.Ruikas)From Balys Bučelis and Antanas Dakinevičius, Tarybu Lietuva (Vilnius, Lithuania: Mintis, 1980)
Children climbing on a Globe climbing frame
Untitled, by Zenonas Bulgakovas (1939-) c1970s.Renown photographer Zenonas Bulgakovas was born in 1939 in Alytus, where he continues to live and practice. A retrospective of his work, curated by Donatas Stankevičius, was shown at Kauno fotografijos galerija, Vilniaus gatvė, Kaunas (5 March- 1 April 2023). https://kultura.kaunas.lt/renginys/zenonas-bulgakovas-fotografijos-kauno-fotografijos-galerijoje/6769