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Ceramics & Glass (MA)

Yingchen Tang

Pink monster with eight legs and blue eyes
Kevin
Pink monster with eight legs and blue eyes
Kevin
Pink monster with eight legs and blue eyes
Kevin

Medium:

ceramic stoneware

Size:

41 42 50 cm
A raspberry monster with multiple legs
Bob
A raspberry monster with multiple legs
Bob
A pink pumpkin monster with its baby on top. Monster has multiple legs and sharp teeth.
Jessica
A pink pumpkin monster with its baby on top. Monster has multiple legs and sharp teeth.
Jessica
A frog like creature with multiple eyes and green skin
A frog like creature with multiple eyes and dark green skin

Medium:

ceramic stoneware

Size:

20 18 29 cm
Large ceramic strawberry with mold on it
Large ceramic strawberry with mold on it

Medium:

ceramic stoneware

Size:

66 40 53 cm

Yingchen Tang, a Beijing-born artist based in London, embarked on her artistic journey eight years ago at the Fine Arts School Affiliated with China Central Academy of Fine Arts. During her BFA studies at the School of the Art Institute of Chicago, she discovered her deep passion for ceramics, leading her to become a dedicated ceramic artist.

Currently pursuing her ceramic master's degree at the Royal College of Art in London, Tang's art revolves around creating captivating monsters and creatures inspired by the world of food, fungus, and the ocean. Her works feature interactive joints that invite tactile engagement from viewers.

In Tang's whimsical world, she invites viewers to explore the connections between art, nature, and interactive experiences. Immerse yourself in her imaginative realm and discover the enchantment that lies within her creations.

Degree Details

School of Arts & HumanitiesCeramics & Glass (MA)RCA2023 at Battersea and Kensington

RCA Battersea, Woo Building, First and third floors

A green monster that looks like a lotus seed pod with eyes on top and frogs legs.

I am a ceramic artist specializing in hand-building and mold-making techniques. My choice of ceramic as a medium stems from my fascination with its domestic qualities. Traditionally, ceramics can be transformed into functional objects like dinnerware, possessing both durability and permanence once fired. Compared to my previous exploration with plaster and acrylic paint for sculptures, ceramics have the advantage of longevity.

My artistic practice is influenced by various factors, foremost of which is the human body. I firmly believe that incorporating elements of the body in artwork elicits empathy from viewers, compelling them to delve deeper into the piece. Additionally, I find great intrigue in the subject of food. It represents an intimate aspect of daily life that everyone interacts with and consumes. Through the use and transformation of everyday objects, I seek to create a balance of familiarity and unfamiliarity in my work, thus to create creatures or monsters that people find strangely familiar.

The ultimate goal of my artistic process is to evoke emotions from the viewers, be it fear or happiness. The most valuable feedback I can receive is witnessing the reactions and emotions elicited by my work. It is through these responses that I find meaning in the presence of my creations. I firmly believe that as an artist, my role is to bring art into the world rather than solely define it. I create and provide a space for my artworks to exist, allowing them to speak for themselves. As they communicate, the complexities and intricacies of their meaning emerge, adding depth and intrigue to the overall experience.